根据卢奇诺·维斯康蒂(Luchino Visconti)的说法,超越道德界限:谋杀、正义、无辜自杀

Fabrizio Borin
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引用次数: 0

摘要

这篇文章是关于卢奇诺·维斯康蒂根据加布里埃尔·达农齐奥(1892)的小说改编的电影《无辜者》。被指控不道德的文学文本,对这位意大利作家和剧作家的作品起着决定性的作用,在电影中讲述了图利奥·赫米尔的故事,一个优雅但不安分的男人,有着明显的肉欲,他对顺从的妻子朱利安娜不忠,在与作家阿尔博里奥短暂的爱情故事之后,朱利安娜怀孕了,并决定留下这个孩子。洗礼后,嫉妒和心烦意乱的图利奥杀死了婴儿,使他暴露在圣诞夜的元素。在悔恨的压迫下,他开枪自杀了。本文拟从导演Luchino Visconti的诗学视域出发,从他与剧院相互矛盾的吸引/排斥关系出发,对这两个文本进行比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Oltrepassare la soglia della morale: delitto, giustizia, suicidio L’innocente secondo Luchino Visconti
The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of Tullio Hermil, a refined but restless man with a marked sensuality, and his infidelity towards his submissive wife Giuliana who, after a short love story with the writer Arborio, gets pregnant and decides to keep the baby. After the baptism, the jealous and upset Tullio kills the baby exposing him to the elements of Christmas night. Oppressed by the remorse, he commits suicide by gunshot. This essay intends to compare the two texts according to the poetic horizon of the director Luchino Visconti in the light of his contradictory attraction/rejection relationship with the Vate.
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