{"title":"冒险的生意:意大利文艺复兴时期的委托肖像","authors":"J. Nelson, R. Zeckhauser","doi":"10.2139/ssrn.3423084","DOIUrl":null,"url":null,"abstract":"Portraits served as a form of social media in the Renaissance. Prominent individuals commissioned portraits to convey their accomplishments and relationships, not merely their images. Political and church leaders, in particular, used the images to bolster their role, but these commissioned works entailed risks, importantly including risks to reputation. A portrait could be unflattering or unrecognizable. It could also be judged to be indecorous, especially if the portrait was perceived as an attempt to elevate an individual above his or her station.","PeriodicalId":110014,"journal":{"name":"John F. Kennedy School of Government Faculty Research Working Paper Series","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Risky Business: Commissioning Portraits in Renaissance Italy\",\"authors\":\"J. Nelson, R. Zeckhauser\",\"doi\":\"10.2139/ssrn.3423084\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Portraits served as a form of social media in the Renaissance. Prominent individuals commissioned portraits to convey their accomplishments and relationships, not merely their images. Political and church leaders, in particular, used the images to bolster their role, but these commissioned works entailed risks, importantly including risks to reputation. A portrait could be unflattering or unrecognizable. It could also be judged to be indecorous, especially if the portrait was perceived as an attempt to elevate an individual above his or her station.\",\"PeriodicalId\":110014,\"journal\":{\"name\":\"John F. Kennedy School of Government Faculty Research Working Paper Series\",\"volume\":\"2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-07-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"John F. Kennedy School of Government Faculty Research Working Paper Series\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2139/ssrn.3423084\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"John F. Kennedy School of Government Faculty Research Working Paper Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2139/ssrn.3423084","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Risky Business: Commissioning Portraits in Renaissance Italy
Portraits served as a form of social media in the Renaissance. Prominent individuals commissioned portraits to convey their accomplishments and relationships, not merely their images. Political and church leaders, in particular, used the images to bolster their role, but these commissioned works entailed risks, importantly including risks to reputation. A portrait could be unflattering or unrecognizable. It could also be judged to be indecorous, especially if the portrait was perceived as an attempt to elevate an individual above his or her station.