通过讲故事来庆祝文化的混合:奥赛罗在卡里尔·菲利普斯的《血的本质》中作为一个无主之地的角色

Alejandro Nadal-Ruiz
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引用次数: 0

摘要

本文为卡里尔·菲利普斯的复调小说《血的本质》(1997)中的奥赛罗的故事提供了一个新的视角。虚构的奥赛罗发现自己处于不同文化的十字路口,正在努力定义自己的身份。利用Gloria Anzaldúa在她的作品《borderlands /La Frontera》(1987)中所揭示的边疆理论,本研究将菲利普斯笔下的奥赛罗作为一个边疆角色进行了探讨。因此,本文的目的是证明,作为一个边境地区的角色-叙述者,奥赛罗通过讲故事成功地将他所知道的两种迄今为止相互冲突的文化(非洲和威尼斯)结合在一起。事实上,他的叙述证明了一种跨国界的见证,有助于创建一个庆祝文化混合的辩论论坛。在那里庆祝文化混合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Celebrating Cultural Hybridity Through Storytelling: Othello as a Borderlands Character in Caryl Phillips’ The Nature of Blood
This paper provides a new approach to Othello’s story in Caryl Phillips’ polyphonic novel The Nature of Blood (1997). The fictional Othello finds himself at the crossroads between different cultures and is struggling to define his identity. Making use of Gloria Anzaldúa’s borderlands theory as exposed in her work Borderlands/La Frontera (1987), this study explores Phillips’ Othello as a borderlands character. Accordingly, it is the purpose of this paper to demonstrate that, as a borderlands character-narrator, Othello succeeds in bringing together the two hitherto conflicting cultures that he knows (Africa and Venice) through storytelling. Indeed, his narrative proves a transborder testimony that contributes to creating a debate forum where cultural hybridity is celebrated.um where cultural hybridity is celebrated. 
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