曼朱·卡普尔当代小说中传统与现代观念的文化立场

Hassan Bin Zubair, Syeda Sughra Naqvi, Iqra Khadam
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引用次数: 0

摘要

本研究从现代性的视角来探讨曼朱·卡普尔的家。小说中表现的传统与现代之间的紧张关系,可以与21世纪发生在印度人民生活中的西方文化的影响相对照。关于传统与现代观念的意识形态立场,通过角色Nisha, Rupa, Yashpal, Ajay, Vijaya和Raju,他们几乎放弃了父母的商业风格,传统思维,在他们的商业或家庭生活中走在他们的前面。小说中的人物由于受到西方价值观的影响而偏离了他们的社会规范和价值观,这是印度社会现代性的标志。这项研究本质上是定性的。本研究从哈贝马斯、康德、福柯、彼得·瓦格纳、迪利普·帕梅什瓦尔·高卡尔和齐亚乌丁·萨拉达尔等人的现代性理论视角来研究卡普尔的《家》。本研究发现,共同家庭分裂为单一聚落,人物开始走向现代性,为了自己的利益而忘记了传统的规范和价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural Stance on The Notion of Tradition VS Modernity in Manju Kapur’s Contemporary Fiction
This research explores Manju Kapur's Home from the perspective of modernity. Tensions between tradition and modernity, represented in the novel can be viewed against the influence of a western culture that has taken place in the 21st century within the lives of people in India. Ideological stance on the notions of tradition vs. modernity in respect to the conflicting issue, through the characters as Nisha, Rupa, Yashpal, Ajay, Vijaya, and Raju, where they almost abandoned their parental business style, traditional thinking and moves ahead of their way either in their business or in the family life. Characters in the novel are deviated from their social norms and values due to the influences of western values on Indian society is a sign of modernity. This research is qualitative in nature. This research approaches Kapur's Home from the theoretical perspectives of modernity that have appeared in the studies of Jurgen Habermas, Immanuel Kant, Michel Foucault, Peter Wagner, Dilip Parmeshwar Gaonkar, and Ziauddin Saradar. This research finds that joint family divides into a single settlement, characters start to adopt modernity, forgetting their traditional norms and values for their benefit.
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