同性恋色情(恐怖)模仿

Joseph Brennan
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摘要

本章探讨恐怖对商业同性恋色情制作的影响。我看到这种影响尤其反映在同性恋色情电影的制作和流行上,这些电影的灵感来自于近几十年来被翻拍的恐怖片和“酷刑色情”系列。从恐怖片类型中选择了9个文本进行分析:布莱恩·肯尼2010年的《Twink Street上的噩梦》(灵感来自《猛鬼街》系列),安迪·凯2012年的《黑色XXXmas》(灵感来自《黑色圣诞节》),弗兰克·弗德和安吉尔·斯凯2009年的《万圣节:第十九届星期五》和奇奇·拉鲁2016年的《Scared Stiff》(灵感都来自《十三号星期五》系列),布罗莫2017年的《Cream for Me》(Scream系列);酷刑类色情片:杰特·布莱克2006年的《骨锯》,约翰·布鲁诺2006年的《雷默》,布莱恩·肯尼2010年的《Raw I》和2011年(与安迪·凯合作)的《Raw II》(灵感来自《电锯惊魂》系列)。作者强调了恐怖类型的特殊性,以及性别的重要性。但特别关注的是同性恋色情模仿的结构方面,以及恐怖模仿在多大程度上有可能将色情同性恋与图像暴力混合在一起,也许最极端的是残忍和折磨的色情恐怖变体。其他的潜力也被探索,例如缓解叙事/性色情紧张。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gay Porn (Horror) Parodies
This chapter considers the influence of horror on the production of commercial gay pornography. I see this influence reflected especially in the production and popularity of gay pornographic films inspired by horror franchises from the slasher and ‘torture porn’ cycles that have been remade in recent decades. Nine texts are selected for analysis – from the slasher genre: Bryan Kenny’s 2010 A Nightmare on Twink Street (inspired by the A Nightmare on Elm Street series), Andy Kay’s 2012 Black XXXmas (inspired by Black Christmas), Frank Fuder and Angel Skye’s 2009 Halloweiner: Friday the Fuckteenth and Chi Chi LaRue’s 2016 Scared Stiff (both inspired by the Friday the 13th series), Bromo’s 2017 Cream for Me (Scream series); and from the torture porn genre: Jett Blakk’s 2006 Bonesaw, John Bruno’s 2006 Rammer and Bryan Kenny’s 2010 Raw I and 2011 (with Andy Kay) Raw II (inspired by the Saw franchise). The specificity of the horror genre is addressed, as is the importance of gender. But particular focus is directed toward the structural aspects of gay porn parodies and the degree to which horror parodies in particular have the potential to blend pornographic homosex with graphic violence, perhaps most extreme in the slasher and torture porn horror variants. Other potentialities are also explored, such as for the easing of narrative/sex porn tensions.
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