《1980年代洛杉矶朋克:帕西·瓦尔迪兹的摄影》

Rocio Sanchez-Nolasco
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摘要

摘要:帕西·瓦尔迪兹(Patssi Valdez)是一位以行为艺术家和画家而闻名的当代美国艺术家,在20世纪80年代创作了大量的摄影作品,记录了她的创造力,标志着她职业生涯中艺术发展的关键时期。这些艺术作品的多媒体手法和独特的色彩运用,一系列大胆的摄影肖像,与朋克美学产生了强烈的共鸣。通过观察洛杉矶朋克摇滚的历史和早期朋克杂志的设计元素,对五件艺术品进行了视觉分析和背景化。这个研究项目利用了几个数字资源,封装了瓦尔迪兹对她的艺术实践的反思。瓦尔迪兹将自我塑造作为一种艺术实践,与朋克的DIY (Do-It-Yourself)和rasquache情感相媲美,这在视觉上标志着朋克和奇卡诺艺术的融合。这个研究项目揭示了瓦尔迪兹艺术实践中一个未被充分研究的领域,讨论了Chicanas对早期洛杉矶朋克的影响,旨在为未来研究瓦尔迪兹的摄影提供一个切入点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Framing Chicana Agency in 1980s Los Angeles Punk: The Photography of Patssi Valdez
Author(s): Sanchez-Nolasco, Rocio | Abstract: Patssi Valdez, a contemporary Chicana artist best recognized as a performance artist and painter, produced an extensive body of photographic artworks during the 1980s that documented her creativity and marked a crucial period of artistic development in her career. The multimedia approach and distinctive use of color in these artworks, a series of bold photographic portraits, strongly resonate with punk aesthetics. Five artworks were visually analyzed and contextualized by looking at the history of Los Angeles punk rock and design elements of early punk zines. This research project utilizes several digital sources that encapsulate Valdez’s reflections on her art practice. Valdez’s use of self-fashioning as an artistic praxis parallels punk’s Do-It-Yourself (DIY) and rasquache sensibilities, which visually indexes the convergence of punk and Chicano art. This research project sheds light on an understudied area of Valdez’s art practice, discusses the influence of Chicanas on early Los Angeles punk, and aims to provide an entry point for future research into Valdez’s photography.
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