暴力的舞台设计和戏剧。保加利亚的共产主义政权和拒绝同化穆斯林

N. Muratova
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引用次数: 0

摘要

本文考察了20世纪70年代至80年代波马科人和土耳其人被强制同化的过程,以及保加利亚共产主义政权对暴力的否认。在三个案例中,该政权利用同样的准备好的个人和准备好的情况,旨在欺骗全球公众关于穆斯林的暴力保加利亚化和对宗教信仰的迫害。接待外宾的准备工作是按照戏剧制作的规则进行的,包括戏剧和舞台设计。这三个案例的执行都伴随着令人困惑的情况和失败,最终未能欺骗参与者。这三起案件是由世界新闻界关于这些事件的出版物引起的。第一次是1978年穆阿迈尔·卡扎菲率领代表团访问保加利亚,第二次是1987年阿拉伯会议联络小组访问保加利亚,第三次是1986年土耳其裔德国共产主义记者卡米尔·泰兰拍摄的一部关于保加利亚穆斯林的电影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scenography and Dramaturgy of Violence. The Communist Regime and the Denial of the Assimilation of Muslims in Bulgaria
The article examines the process of forced assimilation of Pomacs and Turks in the 1970s-80s and the denial of the violence by the communist regime in Bulgaria. Three cases have been presented in which the regime uses the same prepared individuals and prepared situations aimed at deceiving the global public about the violent Bulgarisation and persecution of the religious beliefs of Muslims. The preparation for the reception of external guests is carried out according to the rules of theatrical production, with its dramaturgy and stage design. The execution in all three cases was accompanied by confusing situations and failures, ultimately failing to deceive the participants. The three cases were provoked by publications in the world press about these events. The first was a visit by Moammar Gaddafi with a delegation to Bulgaria in 1978, the second was a visit by the The Arab Conference Contact Group in 1987 and the third was the making of a film about Muslims in Bulgaria by the German communist journalist of Turkish origin Kamil Taylan in 1986.
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