揭开“社会现实”背后的“现实”:哈米德的“西方出口”打破性别刻板印象,重构身份

Mamona, Asra Khan, Uzma Sadiq
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摘要

本论文旨在揭示这样一个事实,即人们的性别认同看起来是“真实的”,结果却是社会对男性和女性的预定义概念。因此,本研究旨在以哈米德的小说《西方出口》(2017)为参考,揭示隐藏在社会建构现实背后的多元性别现实的存在。为了分析上述小说中的性别视角,Butler(1999)的“表演性”概念是一个有价值的镜头。她的“表演性”概念围绕着“做”而不是“存在”的重要性来定义一个人的性别认同。通过强调“做”的概念,本研究侧重于分析哈米德小说中的中心人物,即赛义德和纳迪亚。本研究坚持Butler(1999)的观点,探讨了Saeed和Nadia的性别认同取决于他们在不同的环境中“做”什么,而不是他们“是”什么。它揭示了主人公如何在社会规范的强迫下扮演特定的角色,以适应他们所生活的社会。从这个意义上说,本研究论文确定哈米德的小说不仅揭露了某些性别刻板印象,而且通过描绘主人公在不同语境中扮演的另类性别角色来打破这些刻板印象。根据对Butler(1999)“表演性”概念的含义所做的分析,本文还认为Exit West(2017)可以被视为通过文本重新定义和重建性别认同概念的重要举措。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unveiling ‘Reality’ behind ‘Social Reality’: Breaking Gender Stereotypes and Reconstructing Identities in Hamid’s Exit West
The present paper is aimed at uncovering the fact that people’s gender identities which appear as ‘real’ turn out to be society’s predefined notions about men and women. Therefore, this study is intended at unveiling the existence of diverse gender realities hidden behind the socially constructed realities with reference to Hamid’s novel Exit West (2017). In order to analyze this perspective on gender in the said novel, Butler’s (1999) concept of ‘performativity’ serves as a valuable lens. Her concept of ‘performativity’ revolves around the importance of ‘doing’ rather than ‘being’ in defining one’s gender identity. By putting an emphasis on this notion of ‘doing’, the present research focuses on the analysis of the central characters namely Saeed and Nadia in Hamid’s novel. Maintaining Butler’s (1999) view, this study explores that Saeed and Nadia’s gender identities depend on what they ‘do’ in different contexts, rather than on what they ‘are’. It exposes how the protagonists have to assume certain roles under the compulsion of social norms in order to fit in the society they live in. In this sense, this research paper determines that Hamid’s novel not only unmasks certain gender stereotypes, but also breaks them by depicting its protagonists’ performance of alternative gender roles in different contexts. In the light of analysis done with the implication of Butler’s (1999) concept of‘performativity’, the paper also suggests that Exit West (2017) can be regarded as an important initiative to redefine and reconstruct the notion of gender identities through text.
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