电影介导的身体表达与个人叙事:希腊内战中马其顿妇女面对暴力的口述证词

Christina ALEXOPOULOS DE GIRARD
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引用次数: 0

摘要

创伤经历远远超出了语言的范畴。身体和心灵记录着一切。但是语言很难描述这个主题的真实经历。电影作为纪录片的媒介,有时可以让我们看到无法遗忘的过去的回忆是如何通过身体表达出来的。它将相机转变为一种调解的对象,使其有可能接近无法形容的领域,阐述尚未解决的问题,并为个人和集体历史中令人恐惧的事情提供一种主要的表现形式。用身体说话或通过身体说话,展示一个人的一部分历史,让人们听到遭受暴力的范围,这需要一种特定形式的倾听,在这种倾听中,作证的行为与认识、命名和感受发生的事情结合在一起。对于这些种族灭绝行为的马其顿妇女受害者来说,要充分认识到她们的创伤,往往需要用身体来表达,因为身体是遭受暴力的主要部位。电影记录的作用是还原暴力的各个方面,同时提供研究其现在和过去意义的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Film-mediated Body Expression and Personal Narrative: Oral Testimonies of Macedonian Women Facing Violence in the Greek Civil War
Traumatic experience goes far beyond the realm of speech. The body and the mind keep track of everything. But words struggle to describe what the subject has really experienced. The use of film as a documentary medium sometimes allows us to see how the reminiscences of a past that cannot be forgotten are expressed through the body. It transforms the camera into an object of mediation that makes it possible to approach areas of the unspeakable, to elaborate what has remained unresolved, and to give a primary form of representation to what has been frightening in individual and collective history. To speak with the body or through the body, to show a part of one’s history, and to make the scope of the violence suffered heard engages a certain form of listening where the act of testifying joins that of recognizing, of naming and also feeling what happened. For these Macedonian women victims of ethnocidal practices, the full recognition of their trauma often requires body expression, as the body is the primary site of the violence endured. And the role of the film record is to restore aspects of the violence while providing the means to study its present and past significance.
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