《论美》中对威廉·布莱克的暗示:查蒂·史密斯对波士顿知识分子的跨大西洋致敬与批判

R. Arana
{"title":"《论美》中对威廉·布莱克的暗示:查蒂·史密斯对波士顿知识分子的跨大西洋致敬与批判","authors":"R. Arana","doi":"10.5840/JPHILNEPAL20127172","DOIUrl":null,"url":null,"abstract":"The name of William Blake is nowhere mentioned per se in On Beauty--not even alluded to in the way one might expect of a novel that seems in so many ways a direct response to some of Blake's most passionate concerns. It is even possible that, while she certainly studied Blake's poetry at Cambridge University, Zadie Smith was not thinking specifically of Blake as she composed most of On Beauty. But hints abound of a deep connection. When she began writing On Beauty during the 2002-2003 academic year, Zadie Smith was a fellow at the Radcliffe Institute for Advanced Study in Boston, studying \"moral philosophy\" and thinking about her experience of America and of academia. Blake, too, had been thinking of America (and particularly of Boston's revolutionaries) as he composed his two intriguing and prophetic poems about trends in moral philosophy. The philosophical correspondences between Blake's and Zadie Smith's texts are arguably legion but, I admit, quite subtle--which is why I propose to examine \"hints\" only of Blake-like conceptualizations in Zadie Smith's hilarious send-up of trans-Atlantic academic life. (1) Blake and Smith, I propose, reached strikingly similar critical positions towards philosophical trends current in their respective eras. And while Smith's fictional Boston area is an especially bighearted tribute to the city and its environs--and especially to its most generous and spirited citizens, both Smith and Blake excoriate those who, for selfish ends, disparage beauty and in so doing sabotage justice, love, joy and genuine freedom. On Beauty, like Blake's two poems on America, indicts the reprehensible intellectual discourses of the day that undermine human happiness and corrupt the social order. (2) To discern the important common elements between Blake and Smith, we need first to look at Blake's fundamental concerns, to see the Blake afflatus in a holistic way. This is not easy. Scholars, until very recently, have long and obdurately and even rancorously debated what Blake was up to. Saree Makdisi (a professor of English and comparative literature at UCLA; Edward Said's nephew) has tenaciously and meticulously addressed some of the most perplexing cruxes of Blake scholarship in William Blake and the Impossible History of the 1790s and brightly elucidated, there, (3) some of Blake's key passages in America: A Prophecy and Visions of the Daughters of Albion. Makdisi disputes scholarship that--based on the rants against tyrants and the moaning over slavery and other injustices featured in Blake's works--lumps Blake with Thomas Paine, William Godwin, Mary Wollstonecraft and their circles to establish Blake's bona fides as a \"rights\" and \"civil liberties\" advocate. Recent revisionists (Makdisi paramount among them) make the case that Blake was coming at these ideological issues from a completely different angle (a much more broadly moral and future-oriented angle), which enabled him to imagine where the rights revolutions set in motion by Paine and Locke and the others were bound to wind up in the fullness of time: in trouble, of course. Just as America: A Prophecy and Visions of the Daughters of Albion specifically critique a wrongheaded sort of autonomy and the selfishness of claiming rights as sovereign individuals at the expense of oppressed others, so too does Zadie Smith's novel. (4) Coming some 212 years later, Smith wittily dramatizes a huge range of ideological discourses and antagonisms--many of them descended from Paine et al. Black and white and mixed-race characters from both edges of the Atlantic and from several Caribbean islands in between rant and rave (or sneer or simmer) against each other in academic circles (5) and outside of them (6) and in places like the Boston Commons. (7) The ideological jousting may be conveyed with humor, but the wit and the comedy do not conceal the historical accuracy of these representations or the sharpness of the author's barbs. We see liberal atheists score points against conservative Christians and vice versa. …","PeriodicalId":288505,"journal":{"name":"Journal of Philosophy: A Cross-Disciplinary Inquiry","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Intimations of William Blake in On Beauty (2005): Zadie Smith's Trans-Atlantic Homage to and Critique of Boston Intellectuals\",\"authors\":\"R. Arana\",\"doi\":\"10.5840/JPHILNEPAL20127172\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The name of William Blake is nowhere mentioned per se in On Beauty--not even alluded to in the way one might expect of a novel that seems in so many ways a direct response to some of Blake's most passionate concerns. It is even possible that, while she certainly studied Blake's poetry at Cambridge University, Zadie Smith was not thinking specifically of Blake as she composed most of On Beauty. But hints abound of a deep connection. When she began writing On Beauty during the 2002-2003 academic year, Zadie Smith was a fellow at the Radcliffe Institute for Advanced Study in Boston, studying \\\"moral philosophy\\\" and thinking about her experience of America and of academia. Blake, too, had been thinking of America (and particularly of Boston's revolutionaries) as he composed his two intriguing and prophetic poems about trends in moral philosophy. The philosophical correspondences between Blake's and Zadie Smith's texts are arguably legion but, I admit, quite subtle--which is why I propose to examine \\\"hints\\\" only of Blake-like conceptualizations in Zadie Smith's hilarious send-up of trans-Atlantic academic life. (1) Blake and Smith, I propose, reached strikingly similar critical positions towards philosophical trends current in their respective eras. And while Smith's fictional Boston area is an especially bighearted tribute to the city and its environs--and especially to its most generous and spirited citizens, both Smith and Blake excoriate those who, for selfish ends, disparage beauty and in so doing sabotage justice, love, joy and genuine freedom. On Beauty, like Blake's two poems on America, indicts the reprehensible intellectual discourses of the day that undermine human happiness and corrupt the social order. (2) To discern the important common elements between Blake and Smith, we need first to look at Blake's fundamental concerns, to see the Blake afflatus in a holistic way. This is not easy. Scholars, until very recently, have long and obdurately and even rancorously debated what Blake was up to. Saree Makdisi (a professor of English and comparative literature at UCLA; Edward Said's nephew) has tenaciously and meticulously addressed some of the most perplexing cruxes of Blake scholarship in William Blake and the Impossible History of the 1790s and brightly elucidated, there, (3) some of Blake's key passages in America: A Prophecy and Visions of the Daughters of Albion. Makdisi disputes scholarship that--based on the rants against tyrants and the moaning over slavery and other injustices featured in Blake's works--lumps Blake with Thomas Paine, William Godwin, Mary Wollstonecraft and their circles to establish Blake's bona fides as a \\\"rights\\\" and \\\"civil liberties\\\" advocate. Recent revisionists (Makdisi paramount among them) make the case that Blake was coming at these ideological issues from a completely different angle (a much more broadly moral and future-oriented angle), which enabled him to imagine where the rights revolutions set in motion by Paine and Locke and the others were bound to wind up in the fullness of time: in trouble, of course. Just as America: A Prophecy and Visions of the Daughters of Albion specifically critique a wrongheaded sort of autonomy and the selfishness of claiming rights as sovereign individuals at the expense of oppressed others, so too does Zadie Smith's novel. (4) Coming some 212 years later, Smith wittily dramatizes a huge range of ideological discourses and antagonisms--many of them descended from Paine et al. Black and white and mixed-race characters from both edges of the Atlantic and from several Caribbean islands in between rant and rave (or sneer or simmer) against each other in academic circles (5) and outside of them (6) and in places like the Boston Commons. (7) The ideological jousting may be conveyed with humor, but the wit and the comedy do not conceal the historical accuracy of these representations or the sharpness of the author's barbs. We see liberal atheists score points against conservative Christians and vice versa. …\",\"PeriodicalId\":288505,\"journal\":{\"name\":\"Journal of Philosophy: A Cross-Disciplinary Inquiry\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-03-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Philosophy: A Cross-Disciplinary Inquiry\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5840/JPHILNEPAL20127172\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Philosophy: A Cross-Disciplinary Inquiry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5840/JPHILNEPAL20127172","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2

摘要

威廉·布莱克的名字在《论美》中只字未提——甚至没有以人们所期望的方式被提及,这部小说在很多方面似乎都是对布莱克最热切关注的一些问题的直接回应。甚至有可能,虽然扎迪·史密斯在剑桥大学确实研究过布莱克的诗歌,但在创作《论美》的大部分作品时,她并没有特别想到布莱克。但有很多迹象表明,两者之间存在着深刻的联系。当她在2002-2003学年开始写《论美》时,扎迪·史密斯是波士顿拉德克利夫高等研究院的一名研究员,研究“道德哲学”,思考她在美国和学术界的经历。布莱克也一直在思考美国(尤其是波士顿的革命者),因为他写了两首关于道德哲学趋势的有趣而预言性的诗。布莱克和扎迪·史密斯的作品在哲学上有很多相似之处,但我承认,这些相似之处相当微妙——这就是为什么我建议只研究扎迪·史密斯对跨大西洋学术生活的滑稽讽刺中布莱克式概念化的“暗示”。(1)我认为,布莱克和史密斯对各自时代流行的哲学思潮的批判立场惊人地相似。虽然史密斯虚构的波士顿地区是对这座城市及其周边地区的一种特别高尚的致敬,尤其是对它最慷慨、最充满活力的市民的致敬,但史密斯和布莱克都严厉谴责了那些为了自私的目的而贬低美,并以此破坏正义、爱、快乐和真正自由的人。就像布莱克的两首关于美国的诗一样,《论美》控诉了当今那些破坏人类幸福、败坏社会秩序、应受谴责的知识分子话语。(2)为了辨别布莱克和史密斯之间的重要共同点,我们首先需要看看布莱克的基本关注点,以整体的方式看待布莱克的灵感。这并不容易。直到最近,学者们长期以来一直固执地、甚至充满敌意地争论布莱克到底在做什么。Saree Makdisi(加州大学洛杉矶分校英语和比较文学教授;爱德华·赛义德的侄子)在《威廉·布莱克与18世纪90年代的不可能的历史》一书中顽强而细致地阐述了布莱克学术研究中一些最令人困惑的关键问题,并在书中清晰地阐明了布莱克在《美国:阿尔比恩女儿的预言》和《幻象》中的一些关键段落。Makdisi反驳了一些学者的观点——基于布莱克作品中对暴君的咆哮以及对奴隶制和其他不公正现象的抱怨——将布莱克与托马斯·潘恩(Thomas Paine)、威廉·戈德温(William Godwin)、玛丽·沃斯通克拉夫特(Mary Wollstonecraft)及其圈子混为一谈,以确立布莱克作为“权利”和“公民自由”倡导者的真诚。最近的修正主义者(其中最重要的是马克迪西)认为布莱克是从一个完全不同的角度(一个更广泛的道德和面向未来的角度)来看待这些意识形态问题的,这使他能够想象潘恩和洛克等人发起的权利革命必然会在什么地方结束:当然是陷入困境。正如《美国:一个预言》和《阿尔比恩女儿的愿景》特别批评了一种固执己见的自治,以及以牺牲被压迫他人为代价主张主权个人权利的自私,扎迪·史密斯的小说也是如此。(4)在大约212年后,史密斯巧妙地将一系列意识形态话语和对抗戏剧化——其中许多都是潘恩等人的后裔。来自大西洋两岸和加勒比海岛屿之间的黑人、白人和混血儿们,在学术圈内外,在像波士顿议会这样的地方,互相怒骂(或嘲笑或蠢蠢不动)。(7)意识形态的较量可能以幽默的方式表现出来,但机智和喜剧并不能掩盖这些表现的历史准确性,也不能掩盖作者尖刻的讽刺。我们看到自由的无神论者在与保守的基督徒的对抗中得分,反之亦然。…
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intimations of William Blake in On Beauty (2005): Zadie Smith's Trans-Atlantic Homage to and Critique of Boston Intellectuals
The name of William Blake is nowhere mentioned per se in On Beauty--not even alluded to in the way one might expect of a novel that seems in so many ways a direct response to some of Blake's most passionate concerns. It is even possible that, while she certainly studied Blake's poetry at Cambridge University, Zadie Smith was not thinking specifically of Blake as she composed most of On Beauty. But hints abound of a deep connection. When she began writing On Beauty during the 2002-2003 academic year, Zadie Smith was a fellow at the Radcliffe Institute for Advanced Study in Boston, studying "moral philosophy" and thinking about her experience of America and of academia. Blake, too, had been thinking of America (and particularly of Boston's revolutionaries) as he composed his two intriguing and prophetic poems about trends in moral philosophy. The philosophical correspondences between Blake's and Zadie Smith's texts are arguably legion but, I admit, quite subtle--which is why I propose to examine "hints" only of Blake-like conceptualizations in Zadie Smith's hilarious send-up of trans-Atlantic academic life. (1) Blake and Smith, I propose, reached strikingly similar critical positions towards philosophical trends current in their respective eras. And while Smith's fictional Boston area is an especially bighearted tribute to the city and its environs--and especially to its most generous and spirited citizens, both Smith and Blake excoriate those who, for selfish ends, disparage beauty and in so doing sabotage justice, love, joy and genuine freedom. On Beauty, like Blake's two poems on America, indicts the reprehensible intellectual discourses of the day that undermine human happiness and corrupt the social order. (2) To discern the important common elements between Blake and Smith, we need first to look at Blake's fundamental concerns, to see the Blake afflatus in a holistic way. This is not easy. Scholars, until very recently, have long and obdurately and even rancorously debated what Blake was up to. Saree Makdisi (a professor of English and comparative literature at UCLA; Edward Said's nephew) has tenaciously and meticulously addressed some of the most perplexing cruxes of Blake scholarship in William Blake and the Impossible History of the 1790s and brightly elucidated, there, (3) some of Blake's key passages in America: A Prophecy and Visions of the Daughters of Albion. Makdisi disputes scholarship that--based on the rants against tyrants and the moaning over slavery and other injustices featured in Blake's works--lumps Blake with Thomas Paine, William Godwin, Mary Wollstonecraft and their circles to establish Blake's bona fides as a "rights" and "civil liberties" advocate. Recent revisionists (Makdisi paramount among them) make the case that Blake was coming at these ideological issues from a completely different angle (a much more broadly moral and future-oriented angle), which enabled him to imagine where the rights revolutions set in motion by Paine and Locke and the others were bound to wind up in the fullness of time: in trouble, of course. Just as America: A Prophecy and Visions of the Daughters of Albion specifically critique a wrongheaded sort of autonomy and the selfishness of claiming rights as sovereign individuals at the expense of oppressed others, so too does Zadie Smith's novel. (4) Coming some 212 years later, Smith wittily dramatizes a huge range of ideological discourses and antagonisms--many of them descended from Paine et al. Black and white and mixed-race characters from both edges of the Atlantic and from several Caribbean islands in between rant and rave (or sneer or simmer) against each other in academic circles (5) and outside of them (6) and in places like the Boston Commons. (7) The ideological jousting may be conveyed with humor, but the wit and the comedy do not conceal the historical accuracy of these representations or the sharpness of the author's barbs. We see liberal atheists score points against conservative Christians and vice versa. …
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信