{"title":"用拉诺古利的水写的艺术品","authors":"G. Eshchanova","doi":"10.54613/001043","DOIUrl":null,"url":null,"abstract":"Beauty is one of the aesthetic categories that ensures that works that are examples of artistic and cultural heritage are pleasing to the reader. The article examines the fact that in the work “Scorpion from the altar” by A. Kadyri, who saw beauty with the mind and heart, it was interpreted correctly and completely in a unique way through the interpretation of images.","PeriodicalId":162400,"journal":{"name":"UZBEKISTAN ON THE WAY TO THIRD RENAISSANCE: HARMONY OF THNOCULTURAL, HISTORICAL AND ECONOMIC ASPECTS","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A WORK OF ART WRITTEN IN RANO GULI’S WATER\",\"authors\":\"G. Eshchanova\",\"doi\":\"10.54613/001043\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beauty is one of the aesthetic categories that ensures that works that are examples of artistic and cultural heritage are pleasing to the reader. The article examines the fact that in the work “Scorpion from the altar” by A. Kadyri, who saw beauty with the mind and heart, it was interpreted correctly and completely in a unique way through the interpretation of images.\",\"PeriodicalId\":162400,\"journal\":{\"name\":\"UZBEKISTAN ON THE WAY TO THIRD RENAISSANCE: HARMONY OF THNOCULTURAL, HISTORICAL AND ECONOMIC ASPECTS\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"UZBEKISTAN ON THE WAY TO THIRD RENAISSANCE: HARMONY OF THNOCULTURAL, HISTORICAL AND ECONOMIC ASPECTS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54613/001043\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"UZBEKISTAN ON THE WAY TO THIRD RENAISSANCE: HARMONY OF THNOCULTURAL, HISTORICAL AND ECONOMIC ASPECTS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54613/001043","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
美是确保作为艺术和文化遗产的作品能够取悦读者的美学范畴之一。本文考察了a . Kadyri的作品《来自祭坛的蝎子》(Scorpion from The altar),这位用头脑和心灵去看美的艺术家,通过对图像的解读,以一种独特的方式正确而完整地诠释了这一事实。
Beauty is one of the aesthetic categories that ensures that works that are examples of artistic and cultural heritage are pleasing to the reader. The article examines the fact that in the work “Scorpion from the altar” by A. Kadyri, who saw beauty with the mind and heart, it was interpreted correctly and completely in a unique way through the interpretation of images.