前奏

From Camelot to Spamalot Pub Date : 1900-01-01 DOI:10.1093/oso/9780197511022.003.0008

M. Woller

{"title":"前奏","authors":"M. Woller","doi":"10.1093/oso/9780197511022.003.0008","DOIUrl":null,"url":null,"abstract":"Mark Twain’s 1889 novel A Connecticut Yankee in King Arthur’s Court offers a fascinating beginning to the study of musical adaptations of Arthurian legend. Similar and yet vastly different to the other sources considered in this book, Mark Twain harnesses the story of King Arthur and his Knights of the Round Table for a nineteenth-century American reader. Unlike ...","PeriodicalId":130473,"journal":{"name":"From Camelot to Spamalot","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Prelude\",\"authors\":\"M. Woller\",\"doi\":\"10.1093/oso/9780197511022.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mark Twain’s 1889 novel A Connecticut Yankee in King Arthur’s Court offers a fascinating beginning to the study of musical adaptations of Arthurian legend. Similar and yet vastly different to the other sources considered in this book, Mark Twain harnesses the story of King Arthur and his Knights of the Round Table for a nineteenth-century American reader. Unlike ...\",\"PeriodicalId\":130473,\"journal\":{\"name\":\"From Camelot to Spamalot\",\"volume\":\"70 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"From Camelot to Spamalot\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197511022.003.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"From Camelot to Spamalot","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197511022.003.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

马克·吐温1889年的小说《亚瑟王宫廷里的康涅狄格美国佬》为研究亚瑟王传奇的音乐改编提供了一个迷人的开端。马克·吐温为19世纪的美国读者讲述了亚瑟王和他的圆桌骑士们的故事，这与本书中考虑的其他来源相似，但又大相径庭。不像……

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Prelude

Mark Twain’s 1889 novel A Connecticut Yankee in King Arthur’s Court offers a fascinating beginning to the study of musical adaptations of Arthurian legend. Similar and yet vastly different to the other sources considered in this book, Mark Twain harnesses the story of King Arthur and his Knights of the Round Table for a nineteenth-century American reader. Unlike ...

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

From Camelot to Spamalot

自引率

0.00%

发文量