表面张力:滑冰者和小空间的监视政治

Duncan McDuie‐Ra, Jason Campbell
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引用次数: 8

摘要

在世界各地的建筑环境中,滑板是安装在室外表面上的无处不在的物体。滑板挡板是微尺度的低技术含量的城市表面安全的重要组成部分——单个长凳、扶手或壁架——其唯一目的是保护这些表面不受滑板者的伤害。尽管在城市景观的许多斑块中,这种滑板挡板是更复杂技术的低成本替代品,但由于这种滑板挡板是人类和电子监控系统的延伸。这种控制和解放的相互作用使人们注意到城市空间的表面以及通过监视来确保和保护它们的具体策略。在本文中,我们探讨了滑板挡板的重要性和消除它们的策略,以推进小空间监测的研究。我们认为,滑板滑板者是一种激进的控制城市空间的尝试,他们通过打断特定表面上的身体和滑板的流动,即滑板者想要的“点”。其次,我们认为安装防滑器已经从对滑板者的反应转变为对滑板者的预期,现在新的建筑项目已经安装了防滑器,作为监控基础设施的一部分。第三,我们认为,滑板爱好者已经熟练地将场地从滑板者手中解放出来,通过有组织的行动和隐蔽的行为恢复场地的流动,强调了使用物体进行监视的局限性。最后,我们对创意城市的拥抱和滑板爱好者的激增之间的脱节进行了一些思考,表明创意游戏及其所需的情感属性是通过对同一空间表面的控制来调节的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Surface Tensions: Skate-Stoppers and the Surveillance Politics of Small Spaces
Skate-stoppers are ubiquitous objects installed on outdoor surfaces in built environments all over the world. Skate-stoppers are an essential part of low-tech security of urban surfaces at a micro-scale—a single bench, handrail, or ledge—with the sole-purpose of protecting these surfaces from skateboarders. As such skate-stoppers are an extension of human and electronic surveillance systems, though in many patches of the urban landscape, skate-stoppers are a low-cost substitute for more sophisticated technologies. This interplay of control and liberation draws attention to surfaces in urban space and specific tactics adopted to secure and protect them through surveillance. In this article, we explore the criticality of skate-stoppers and tactics for removing them to advance the study of surveillance of small spaces. We argue that skate-stoppers are aggressive attempts to control urban space by interrupting the flow of bodies and boards along particular surfaces, namely the “spots” desired by skateboarders. Second, we argue that the installation of skate-stoppers has shifted from reaction to anticipation of skateboarders, and new construction projects now come with skate-stoppers already installed as part of surveillance infrastructure. Third, we argue that skateboarders have become adept at liberating spots from skate-stoppers, restoring flow to surfaces through both organised activism and covert acts, underscoring the limitations of surveillance using objects. We conclude with some thoughts on the disjuncture between the embrace of creative cities and the proliferation of skate-stoppers, suggesting creative play and its desired affective properties are regulated by the control of surfaces in the same spaces.
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