自由诗体

R. L. Rosa, J. Mella
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引用次数: 6

摘要

我们不喜欢它并不是因为它是(我们可以学着和它一起生活,就像孩子们喜欢破碎的玻璃或生锈的旧鱼钩?而是它在我们生活的每一个领域都突现了它的存在,即使是诗歌,即使是这首诗,它已经放弃了所有的伪装,变成了诗歌。慢慢地,世界失去了它的韵律,音乐的钟声告诉我们,我们失去了多少,那些古老的主题,当一切都是韵律,一切都是皇家的。不再像被健忘的主人打倒的狗,他们走了,他们毛茸茸的屁股在某个被毁的后院被混乱包围,偶然的雷云像傻瓜一样拍手?消失了,我们闻到了它们的皮毛,然后消失了,最后认出来的只是我们邋遢的自己。约翰·蜜剂
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Free Verse
What we dislike about it is not that it is (This we could learn to live with like children with broken glass Or old rusty fish-hooks?anything useless and dangerous), But that it obtrudes its presence in every area of our lives, Even poems, even this poem, which has abandoned every pretence to poetry Slowly the world is losing its rhymes, the musical chimes That tell us how much we have lost, those antique themes, When all was rhyme and all royal. Loyal No longer, like dogs beaten down by forgetful masters, They are gone, their fleecy haunches Seen for a moment in some ruined back-yard Ringed with confusion, haphazard thunderclouds Clapping like dunces?gone, their pelts something we smelled Then lost, finally recognized as just our slovenly selves. John Mella
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