Lene Helland Rønningen
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引用次数: 0

摘要

这篇文章是关于设计儿童剧院的初始阶段,并探讨如何将儿童纳入创作过程。在一个针对幼儿园儿童的音乐剧项目中,一组学生在与参照组的儿童进行密切对话的情况下进行表演。伽达默尔的视界融合概念是必不可少的。学生和儿童的想法与原始材料之间的视界相遇对于发展针对目标群体的概念性想法至关重要。这可以通过学生的想法和孩子们的输入之间的持续对话来实现,以便在他们之间的解释性循环中逐步创造意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fra impuls til konseptuell idé i egenskapt barneteater – En hermeneutisk prosess i samspill mellom barn og kunstnere
This article is about the initial phases in devised theatre for children, and examines how children can be included in the creative process. In a musical theatre project for kindergarten children, a group of students developed a performance in close dialogue with reference groups of children. Gadamer’s concept of fusion of horizons is essential. The meeting of horizons – between students’ and children’s ideas and the source material – is crucial for the development of a conceptual idea for target groups. This is possible through a continuous dialogue between the students’ ideas and the children’s input, so that meaning is progressively created in hermeneutic circles between them.
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