{"title":"2011年埃及革命前后当代语境中的阿拉伯书法与公共空间","authors":"Salsabil Elregaily","doi":"10.21608/ijmsat.2021.226070","DOIUrl":null,"url":null,"abstract":"In 3122, the Egyptian society witnessed a strong shift in the aftermath of 25 th January Revolution. Major political, social, cultural and economic challenges have occurred together with other unprecedented overlaps in art scene. A remarkable change has dominated the public space of Egyptian cities; Mural paintings that implemented Arabic calligraphy were considered constant reminders for passers-by of the drastic changes the „Arab spring‟ brought to the region. In this regard, setting a comparative framework of the relationship between Arabic calligraphy and public space before and after 2011 Revolution is a necessity. Not only because a clear transformation in the freedom of art practice has emerged, but also to shed a light on the role Arabic Calligraphy has played in documenting different political and social discourses.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution\",\"authors\":\"Salsabil Elregaily\",\"doi\":\"10.21608/ijmsat.2021.226070\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 3122, the Egyptian society witnessed a strong shift in the aftermath of 25 th January Revolution. Major political, social, cultural and economic challenges have occurred together with other unprecedented overlaps in art scene. A remarkable change has dominated the public space of Egyptian cities; Mural paintings that implemented Arabic calligraphy were considered constant reminders for passers-by of the drastic changes the „Arab spring‟ brought to the region. In this regard, setting a comparative framework of the relationship between Arabic calligraphy and public space before and after 2011 Revolution is a necessity. Not only because a clear transformation in the freedom of art practice has emerged, but also to shed a light on the role Arabic Calligraphy has played in documenting different political and social discourses.\",\"PeriodicalId\":228688,\"journal\":{\"name\":\"International Journal of Multidisciplinary Studies in Art and Technology\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Multidisciplinary Studies in Art and Technology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21608/ijmsat.2021.226070\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Multidisciplinary Studies in Art and Technology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21608/ijmsat.2021.226070","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Arabic Calligraphy and Public Space in Contemporary Contexts before and After 2011 Egyptian Revolution
In 3122, the Egyptian society witnessed a strong shift in the aftermath of 25 th January Revolution. Major political, social, cultural and economic challenges have occurred together with other unprecedented overlaps in art scene. A remarkable change has dominated the public space of Egyptian cities; Mural paintings that implemented Arabic calligraphy were considered constant reminders for passers-by of the drastic changes the „Arab spring‟ brought to the region. In this regard, setting a comparative framework of the relationship between Arabic calligraphy and public space before and after 2011 Revolution is a necessity. Not only because a clear transformation in the freedom of art practice has emerged, but also to shed a light on the role Arabic Calligraphy has played in documenting different political and social discourses.