神话符号分析巴西西安符号学的初步概述

Noveri Faikar Urfan
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引用次数: 3

摘要

罗兰·巴特是一位著名的符号学人物,他通过引入神话的概念,成功地更新了前任索绪尔的思想。神话是第二层次的意义系统,它是通过阅读第一层次的符号而建立起来的。巴特认为,对符号的解读不能停留在外延意义的层面,还需要被引导去探索隐藏在客体背后或往往是无意识的内涵意义。将这些符号解读到神话的层面,也是试图消解意识形态的存在。在阅读符号的语境中,意识形态被解释为一种强迫的意义,被视为一种自然的东西。最后,罗兰·巴特方法中的符号阅读挑战我们将其应用于阅读当代物品,如广告、摄影、电影等。符号读者需要在两个层面上结合解读模式,即阅读语言层面的解读外延意义和阅读神话层面的解读内涵意义。关键词:罗兰·巴特;符号学;意义系统
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SEMIOTIKA MITOLOGIS SEBUAH TINJAUAN AWAL BAGI ANALISIS SEMIOTIKA BARTHESIAN
Roland Barthes is widely known as a semiotic figure who succeeded in renewing the thoughts of his predecessor Ferdinand de Saussure by introducing the concept of myth. Myth is a second level of signification system, which is built from reading the first level sign. Barthes considers that the reading of signs does not stop at the level of denotative meaning, but also needs to be directed to probe the connotative meaning that is hidden or which is often unconscious behind the object. Reading the signs to the level of myth is also an attempt to dismantle the existence of ideology. Ideology in the context of reading signs is interpreted as a forced meaning to be accepted as something natural. In the end, reading the signs in Roland Barthes's approach challenges us to apply them to reading contemporary objects such as advertising, photography, film and others. Sign readers are challenged to combine interpretive models on two levels, namely reading denotative meanings in reading language levels and connotative meanings in reading mythical levels. Keywords: Roland Barthes, Semiotic, Significancy System, Myth
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