博物馆导览的叙事结构

V. Papakostopoulos, Anna Vaptisma, D. Nathanael
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引用次数: 1

摘要

在本研究中,对雅典卫城博物馆的雅典卫城斜坡画廊的四个导游进行了自然主义的观察和定性的内容分析,以检查(i)导游在每个展览的基础上构建叙事的程度,如果是这样的话(ii)更广泛的故事情节在多大程度上建立在对展品的连续检查之上。这两个研究问题源于数字叙事领域公认的设计问题,即在各种展品之间提供无缝过渡,而不会导致故事不连贯或博物馆疲劳。为此目的,两名研究人员作为参观者在雅典卫城博物馆安排了四名私人导游,即两名持牌导游和两名考古学教授。结果表明,尽管一些导游(如考古学家)可能会根据展品本身展开他们的叙述,但持牌导游的做法更优越,他们需要在特定视角下统一许多展品(例如,古人如何与展品联系在一起)。以上结果是在数字叙事设计的范围内进行讨论的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrative Structure of Museum Guided Tours
In this study a naturalistic observation followed by a qualitative content analysis of four guided tours in the Acropolis Slopes’ gallery, of the Acropolis museum, was conducted for examining (i) to what degree do guides structure their narratives on a per exhibit basis, and if so (ii) to what extent is the wider storyline built upon the successive examination of exhibits. The two research questions stem from the design issues recognised in the realm of digital storytelling, namely, to provide seamless transition among various exhibits without causing either story incoherence or museum fatigue. To this end, two researchers acting as visitors arranged four private guided tours at the Acropolis Museum, i.e., two licensed tourist guides and two professors in archaeology. Results showed that although it is possible for some guides (i.e. archaeologists) to unfold their narratives based on exhibits per se, a superior practice was observed by the licensed tour guides entailing narratives that unify many exhibits under a particular perspective (e.g. how the ancient people were related with the exhibits). The above results are discussed under the scope of digital storytelling design.
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