{"title":"可视化阿博布罗西和重新设想电子废物人类学","authors":"P. Little","doi":"10.1093/oso/9780190934545.003.0006","DOIUrl":null,"url":null,"abstract":"Chapter 5 engages a critical discussion of the visual economy of e-waste ruination in Agbogbloshie. It explores how, through ethnographic research in general and participatory photography in particular, images make meaning and shape e-waste imaginations. Circulating e-waste images of Agbogbloshie, the author argues, expose the power and utility of e-pyropolitical imagery to make, tell, and even distort and mystify life in Ghana’s e-wasteland. The chapter interrogates the e-pyropolitical gaze conditioning how digital rubble and toxic colonialism are seen. Countering the e-waste “crisis of representation” in Agbogbloshie, the author considers the possible role of participatory photography as an alternative technique of e-waste visualization, in addition to considering the ways in which these worker-based forms of witnessing e-waste can help justify and provide a methodological grounding for the very decolonization of e-waste studies in Ghana in particular.","PeriodicalId":331037,"journal":{"name":"Burning Matters","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visualizing Agbogbloshie and Re-envisioning E-Waste Anthropology\",\"authors\":\"P. Little\",\"doi\":\"10.1093/oso/9780190934545.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 5 engages a critical discussion of the visual economy of e-waste ruination in Agbogbloshie. It explores how, through ethnographic research in general and participatory photography in particular, images make meaning and shape e-waste imaginations. Circulating e-waste images of Agbogbloshie, the author argues, expose the power and utility of e-pyropolitical imagery to make, tell, and even distort and mystify life in Ghana’s e-wasteland. The chapter interrogates the e-pyropolitical gaze conditioning how digital rubble and toxic colonialism are seen. Countering the e-waste “crisis of representation” in Agbogbloshie, the author considers the possible role of participatory photography as an alternative technique of e-waste visualization, in addition to considering the ways in which these worker-based forms of witnessing e-waste can help justify and provide a methodological grounding for the very decolonization of e-waste studies in Ghana in particular.\",\"PeriodicalId\":331037,\"journal\":{\"name\":\"Burning Matters\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Burning Matters\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190934545.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Burning Matters","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190934545.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Visualizing Agbogbloshie and Re-envisioning E-Waste Anthropology
Chapter 5 engages a critical discussion of the visual economy of e-waste ruination in Agbogbloshie. It explores how, through ethnographic research in general and participatory photography in particular, images make meaning and shape e-waste imaginations. Circulating e-waste images of Agbogbloshie, the author argues, expose the power and utility of e-pyropolitical imagery to make, tell, and even distort and mystify life in Ghana’s e-wasteland. The chapter interrogates the e-pyropolitical gaze conditioning how digital rubble and toxic colonialism are seen. Countering the e-waste “crisis of representation” in Agbogbloshie, the author considers the possible role of participatory photography as an alternative technique of e-waste visualization, in addition to considering the ways in which these worker-based forms of witnessing e-waste can help justify and provide a methodological grounding for the very decolonization of e-waste studies in Ghana in particular.