舞台和银幕的甜点……还有更深层次的东西

Andy Propst
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引用次数: 0

摘要

贝蒂·科登和阿道夫·格林在《地铁是用来睡觉的》之后又回到了更轻的票价。他们写了一部令人眼花缭乱的电影,名叫《何乐之路》!这部电影由雪莉·麦克莱恩(Shirley MacLaine)主演,她饰演一个结过多次婚的女人,尽管她渴望保持贫穷,但她发现自己变得越来越富有。编剧和影评人都认为这部电影不令人满意,但当时的观众却乐在其中。在舞台上,他们还专门为卡罗尔·伯内特写了一部傻乎乎的讽刺喜剧《渐入渐出》。这种对20世纪30年代电影制作的看法也让观众感到高兴,但当伯内特处理慢性健康问题时,这部剧陷入了困境。除了这两个项目,科登和格林还试图与他们的第一部百老汇演出的合作伙伴(伦纳德·伯恩斯坦和杰罗姆·罗宾斯)重新合作,但这四重奏最终不得不在这部作品上分道扬镳:桑顿·怀尔德的音乐剧《我们的牙齿的皮肤》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stage and Screen Confections … and Something a Little Deeper
Betty Comden and Adolph Green returned to lighter fare after Subways Are for Sleeping. They penned a giddy film romp called What a Way to Go! The film starred Shirley MacLaine as an oft-married woman who finds herself, despite her desire to remain poor, getting richer and richer. Neither the writers nor the critics found the movie to be satisfying, but audiences at the time delighted in it. For the stage they also penned a goofy satirical comedy, Fade Out–Fade In, specifically for Carol Burnett. This look at filmmaking in the 1930s delighted audiences as well, but the show struggled when Burnett dealt with chronic health issues. Beyond these two projects Comden and Green also tried to re-team with the men with whom they wrote their first Broadway show (Leonard Bernstein and Jerome Robbins), but the quartet eventually had to part company on this piece: a musical version of Thornton Wilder’s The Skin of Our Teeth.
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