学生音乐刺激组成在脚手架课程为基础的本科研究经验

Abbey L. Dvorak, Eugenia Hernandez-Ruiz, Hallemeesch Nick, Ruowen Qi, Celeste Alderete, Zach Frieze, Kirstin Georgeson, Tianna M. Gilliam, Autumn Hatcliff, Alice Kirsch, Jessica Kunst, Raquel Medina, Mitchell Weeks
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引用次数: 0

摘要

基于课程的本科研究经验(CURE)让学生有机会发展研究技能。在一项支架式治疗中,音乐治疗和音乐教育的学生在一项音乐和正念研究中作曲、评估和选择了音乐刺激,该研究在现场1的非音乐家和现场2的音乐家中进行。本文的目的是(a)描述学生音乐刺激组成和评估的过程,以用于基于课程的本科研究经验;(b)从参与多地点研究的学生、研究生助理和教师的观点中确定益处、挑战和经验教训。八名学生、两名研究生助理和两名教师概述了CURE的教学模式和作业,并以第一人称分享了他们参与该CURE的经历。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Student music stimuli composition in a scaffolded course-based undergraduate research experience
Course-based undergraduate research experiences (CURE) allow students opportunities to develop research skills. In a scaffolded CURE, music therapy and music education students composed, evaluated, and selected the music stimuli used in a music and mindfulness study with non-musicians at Site 1 and musicians at Site 2. The purposes of this paper are to (a) describe the process of student music stimuli composition and evaluation for use in a course-based undergraduate research experience and (b) identify benefits, challenges, and lessons learned from the viewpoints of students, graduate assistants, and faculty who participated in the multi-site study. Eight students, two graduate assistants, and two faculty provide an overview of the CURE teaching model and assignments, and share first-person accounts of their experiences participating in this CURE.  
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