“诗人的家”?

C. Bischof
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引用次数: 0

摘要

第四章,“诗人的家”?通过展示在职教师如何重塑课程,以培训学院的反抗文化为基础。19世纪40年代、50年代和60年代的官方课程,其狭隘的焦点和强调死记硬背,使崭露头角的教师感到沮丧。尽管经历了漫长而疲惫的日子,他们还是会在熄灯后熬夜,开设关于莎士比亚和拜伦、古代历史和现代科学的非正式课程。他们还将地理课程转化为反思帝国政治文化的机会,以及将各种社会背景的英国人与世界各地人民联系起来的全球生产和消费网络。在很大程度上,由于在职教师的日常压力,随着时间的推移,培训学院的官方课程变得更加自由,并且与社会和全球接轨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘A Home for Poets’?
Chapter four, ‘“A Home for Poets”?’ builds on this idea of a culture of defiance in training colleges by showing how teachers-in-training reshaped the curriculum. The official curriculum of the 1840s, 50s, and 60s, with its narrow focus and emphasis on rote memorization, frustrated budding teachers. Despite enduring long, exhausting days, they stayed up after ‘lights out’ to hold informal classes on Shakespeare and Byron, ancient history and modern science. They also turned their geography lessons into opportunities to reflect on the political cultures of the empire and the global networks of production and consumption that connected Britons of all social backgrounds to peoples from around the world. In large part owing to the everyday pressure of teachers-in-training, the official curriculum in training colleges came, over time, to be much more liberal as well as socially and globally engaged.
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