{"title":"通过匈牙利电影《国家百货》(Allami Aruhaz)和朝鲜电影《喜欢的青年》(1989)看到的社会主义现实主义和主体现实主义的国家相互作用","authors":"Gábor Sebő","doi":"10.15751/cofis.2018.14.1.83","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"127 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"헝가리 영화 ‘국가 백화점’'Állami Áruház' (1953)과 북한 영화 '마음에 드는 청년' (1989)을 통해서 본 사회주의 리얼리즘과 주체 리얼리즘의 국가적 상호 작용\",\"authors\":\"Gábor Sebő\",\"doi\":\"10.15751/cofis.2018.14.1.83\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":123012,\"journal\":{\"name\":\"Contemporary Film Studies\",\"volume\":\"127 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Film Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15751/cofis.2018.14.1.83\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15751/cofis.2018.14.1.83","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}