写得最好的传奇与作者的缺席

Margrét Eggertsdóttir
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Árni was not only a famous manuscript collector and scholar but may also be seen as the first author of a literary history of Iceland; in his notes he discusses the characteristics of the author of Njáls saga and of other medieval authors, both known and unknown. The present chapter is an attempt to throw light on early-modern Icelandic ideas of saga authors and other medieval authors, mainly as they are presented in the first purposeful attempts at writing a literary history of Iceland – that is, Jón Ólafsson ’s (1705–1779) Safn til íslenskrar bókmenntasögu , recently edited by Guðrún Ingólfsdóttir and Þórunn Sigurðardóttir; the literary history by Jón Þorkelsson (1697–1759) entitled Specimen Islandiæ non barbaræ (forthcoming in a new edition); the account of Icelandic writers and poets by Páll Vídalín (1667–1727); and a literary history by Hálfdan Einarsson , Sciagraphia historiæ literariæ Islandicæ , published in Copenha gen in 1777. 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引用次数: 0

摘要

确定冰岛家庭传奇的匿名作者一直是一个普遍关注的问题,也是一项永无止境的任务,尤其是在现代学术领域。正如人们经常指出的那样,关于作品作者的任何信息都很可能直接影响到读者对作品的解读和理解。一些学者认为,这些传奇故事是由个别作者创作的,而另一些人则认为这些传奇故事是根据口头传统写成的。然而,对作者的追寻是什么时候开始的?为什么它很重要?本章以Árni Magnússon(1663-1730)对这些传奇的注释为出发点。Árni不仅是一位著名的手稿收藏家和学者,而且可能被视为冰岛文学史的第一位作者;在他的笔记中,他讨论了Njáls的作者和其他中世纪作家的特点,无论是已知的还是未知的。本章试图揭示早期现代冰岛的传奇作家和其他中世纪作家的思想,主要是因为他们在写冰岛文学史的第一次有目的的尝试中被呈现出来-即Jón Ólafsson的(1705-1779)Safn til íslenskrar bókmenntasögu,最近由Guðrún Ingólfsdóttir和Þórunn Sigurðardóttir编辑;Jón Þorkelsson(1697-1759)的文学史,题为《barbarae岛标本》(即将出版的新版本);Páll Vídalín对冰岛作家和诗人的描述(1667-1727);以及Hálfdan Einarsson的文学史,Sciagraphia historiæ literariæ Islandicæ,于1777年在哥本哈根出版。这些历史在他们的研究方法中显示出不同的重点,但冰岛学者似乎最迫切地需要找到并确定这些传奇的作者,他们发现,为了冰岛文学史的声誉,有必要有“真正的”作者,可以与古典作家相提并论。第二十五条。以下是Resen手稿集中的Ólafs saga Tryggvasonar的最后一部分,所以Gunnlaugur和Oddur兄弟说,这些人告诉他们他们后来创作的大部分内容,并给出了国王Ólafur Tryggvason的描述:Gellir Þorgilsson, Asgrímur Vestlidason, Biarni Bergþorsson, Ingunn Arnórsdóttir, Herdís Dadadóttir, Þorgerdur Þorsteinsdóttir,然后Gunnlaugur说他把它拿给Gissur Hallsson看
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Best-Written Saga and the Absence of its Author
Identifying the anonymous authors of the Icelandic family sagas has been a popular preoccupation and a never-ending task, not least in modern scholarship. As has often been pointed out, any information about the author of a work will most likely have direct influence on how its readers interpret and under stand it. Some scholars believe that the sagas were created by individual authors, whereas others read the sagas as written accounts based on an oral tradition. Yet when did the quest for the author begin, and why was it important? This chapter takes its point of departure in Árni Magnússon’s (1663–1730) notes on the sagas. Árni was not only a famous manuscript collector and scholar but may also be seen as the first author of a literary history of Iceland; in his notes he discusses the characteristics of the author of Njáls saga and of other medieval authors, both known and unknown. The present chapter is an attempt to throw light on early-modern Icelandic ideas of saga authors and other medieval authors, mainly as they are presented in the first purposeful attempts at writing a literary history of Iceland – that is, Jón Ólafsson ’s (1705–1779) Safn til íslenskrar bókmenntasögu , recently edited by Guðrún Ingólfsdóttir and Þórunn Sigurðardóttir; the literary history by Jón Þorkelsson (1697–1759) entitled Specimen Islandiæ non barbaræ (forthcoming in a new edition); the account of Icelandic writers and poets by Páll Vídalín (1667–1727); and a literary history by Hálfdan Einarsson , Sciagraphia historiæ literariæ Islandicæ , published in Copenha gen in 1777. These histories show different emphases in their approaches, but it seems that the need to find and identify authors of the sagas was felt most urgently by Icelandic scholars who found it necessary for the reputation of Icelandic literary history to have ‘real’ authors, comparable to the classical scriptores . Article 25. The following is the last part of Ólafs saga Tryggvasonar in Resen’s manuscript collec tion: So the brothers Gunnlaugur and Oddur say: that these individuals told them the largest part of what they later composed and gave an account of King Ólafur Tryggvason: Gellir Þorgilsson, Asgrímur Vestlidason, Biarni Bergþorsson, Ingunn Arnórsdóttir, Herdís Dadadóttir, Þorgerdur Þorsteinsdóttir, and then Gunnlaugur says he showed it to Gissur Hallsson. 93
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