工业遗产在旅游营销材料中的表现:分析文本和视觉内容中的男性中心主义话语

M. Funk, A. Pashkevich
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引用次数: 0

摘要

本研究使用后女权主义的视角来考察伯格斯拉根的三个地点的目的地营销材料,伯格斯拉根位于瑞典中部,以几个世纪的采矿活动而闻名。该地区仍在进行采矿作业,但也致力于发展文化和工业遗产,对其工业历史进行解释。以矿山、采石场和冶炼小屋为基础的丰富的发展历史为旅游业重新诠释历史奠定了基础,并成为元叙事的表现基础。在这项研究中,我们分析了位于Bergslagen——Langban、Axmar Bruk (Axmar mill)和Engelsberg Bruk (Engelsberg mill)三个地点。这些目的地使用的在线文本和视觉营销材料允许对工业遗产的表征进行分析。运用后女权主义理论,我们分析了工业遗产在这些选定景点的营销文本和视觉材料中的表现。我们的目标是找到占主导地位的表征,并探索在向游客讲述的故事中缺失了哪些表征。我们的研究结果表明,图像和文本材料仍然严重依赖于贝格斯拉根父权制度及其工业遗产的表现,而女性和“其他”替代叙事的角色仍然被排除在外。本研究有助于更深入地了解营销材料如何在维护与工业遗产相关的男性和女性刻板印象方面发挥促进作用,结论强调了当代沟通渠道中性别的持续两极分化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representations of industrial heritage in tourism marketing materials: Analysing androcentric discourse in textual and visual content
This study uses a post-feminist lens to examine destination-marketing material connected to three sites in Bergslagen, an area located in the central part of Sweden famous for centuries of mining activity. This region continues to have ongoing mining operations, but has also worked at developing cultural and industrial heritage interpretations of its industrial past. A rich history of development based on mines, quarries and smelting huts has created a foundation for possible re-interpretations of history for tourism and became a ground for representation of metanarratives. In this study we analyse three sites located in the area of Bergslagen ˗ Langban, Axmar Bruk (Axmar mill) and Engelsberg Bruk (Engelsberg mill). On-line textual and visual marketing materials used by these destinations allowed for the analysis of representations of the industrial heritage. Using post-feminist theory, we analysed representations of the industrial heritage in the marketing textual and visual materials of these chosen attractions. Our goal was to find the dominant representations as well as to explore what representations were missing from the stories told to the visitors. Our results show that both images and textual material continue to rely heavily on the representations of patriarchal system of Bergslagen and its industrial heritage, whereas the role of female and ‘other’ alternative narratives continue to be excluded. This study contributes to a deeper understanding of how marketing materials remain as facilitators in upholding male and female stereotypes connected to industrial heritage and the conclusions highlight the continued polarisation of gender through contemporary channels of communication.
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