三朗图·巽达的生活哲学:

Wiki Riandi, Erik Muhammad Pauhrizi, Irwan Sarbeni
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引用次数: 0

摘要

艺术作品的创作是一种思维和情感在实际和直观表现中的创造过程。作者在实验电影创作中的个人编码往往会带来新的解读。传统的经验经验是创作杰出作品的基础。巽他人的“三塘图”哲学是巽他人的一种传统,它有助于形成巽他人在工作和理解生活方面的创造力。本研究以《游戏胜于戏剧》为实验片,以“三里屯图”为概念,进行启发式的诠释,以系统、真实的视觉描述,提高巽他人对人、自然、神三者关系的认识。分析的重点是电影的视觉内容,揭示巽他人的三堂图哲学。研究结果表明,巽他人一直认为他们的生命将永远依赖于自然和他们的造物主,并相信他们的身体是由水、土、气、火等自然元素组成的。这是巽他人与宇宙关系的一种表现,也是他们身体所包含的性格的一种表现。希望本研究能为试图通过实验电影来培养本土智慧的电影人探索本土智慧的价值提供参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FILSAFAH KEHIDUPAN TRITANGTU SUNDA DALAM FILM EKSPERIMENTAL ADAT “GAME OVER DRAMA”
Creating an art work is a creative process of thinking and emotion in a practical and intuitive performance. Personal coding of the author in the creation of experimental film often leads to new interpretations. The empirical experience of tradition underlies the idea of creating a notable work. Sundanese Tritangtu philosophy, a tradition of the Sundanese, contributes to the formation of sundanese's creativity in working and understanding life. In this study, an experimental film entitled "Game over Drama" was interpreted heurmeneuticly with the concept of Tritangtu with the aim of making a systematic, factual visual description, and raising awareness of the Sundanese about the relationship between humans, nature and their gods. The analysis focused on the film visual content to reveal the Sundanese Tritangtu philosophy. The results of this study reveal that the Sundanese always consider that their lives will always depend on nature and their Creator and believe that their bodies are composed of elements of water, earth, air and fire which are natural elements. This view is a relationship manifestation between the Sundanese and the universe as well as a representation of the characters contained in their bodies. This research is expected to be a reference for exploring the values of local wisdom for filmmakers who try to raise local wisdom through experimental films.
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