埃塞俄比亚提格雷地区的新研究成果:科拉坦比恩三座岩凿教堂的历史来源

S. Klyuev, Valeria N. Semenova
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引用次数: 0

摘要

本文致力于研究埃塞俄比亚提格雷地区Kola Tembien的三座岩石教堂,这些教堂在文学中没有得到很好的代表。实地工作是在俄罗斯基础研究基金会的财政支持下进行的。2019年秋季和2020年秋季进行了实地考察。年代和类型学问题是本研究的重点。在文章中,描述了三个教堂- Mika ' el khadi Kawa, Abunä Fäqadä Amlak In khadi Ś / rä和Maryam Degol Chako。特别提到了这三个纪念碑与该地区其他纪念碑的建筑联系,以揭示建筑结构和一些装饰元素可能的相互影响。自20世纪70年代露丝·普兰特和大卫·巴克斯顿合作研究以来,这些教堂的信息就没有发表过。文章特别关注了Abunä Fäqadä Amlak在Adi Ś / rä和Maryam Degol Chako教堂,因为它们有非常丰富的帆布画,可以追溯到20世纪中叶。这些绘画不仅是基督教埃塞俄比亚的艺术品,而且是提格雷文化和政治历史的重要来源。不幸的是,这些画作在被研究的教堂里的保存引起了人们的关注。本文介绍了有关所描述教堂的新的真实材料。室内的照片是第一次公布。此外,在图像和建筑分析的基础上,作者提出了一些假设,以供进一步讨论和验证。值得注意的是,通过建造内部墙壁,可以将以前的长方形岩石凿成的教堂重建为中心结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Results of New Research in the Tigray Region, Ethiopia: Three Rock-hewn Churches of Kola Tembien as Historical Sources
The article is devoted to the results of research focused on three rock-hewn churches, which are not well-represented in literature, in Kola Tembien of the Tigray region in Ethiopia. Fieldwork was carried out with the financial support of the Russian foundation for Basic Research. Trips to the site were conducted in the autumn of 2019 and 2020. The problems of dating and typology is the focus of this research. In the article, three churches are described — Mikaʼel ʽAddi Kawa, Abunä Fäqadä Amlak in ʽAdi Śərä and Maryam Degol Chako. Special reference is made to the architectural ties of these three monuments with others of the region in order to reveal the possible mutual influence of architectural constructions and some decorative elements. Information on these churches has not been published since the time of cooperative research by Ruth Plant and David Buxton in the 1970s. Particular attention in the article is paid to the churches Abunä Fäqadä Amlak inʽAdi Śərä and Maryam Degol Chako as they have very rich paintings on canvas dating from the middle of the XX century. These paintings are valuable not only as art objects of Christian Ethiopia, but also as important sources of the cultural and political history of Tigray. Unfortunately, the preservation of these paintings in the studied churches raises concerns. The article presents new authentic material on the described churches. Photographs of the interiors are published for the first time. In addition, on the basis of the iconographic and architectural analysis, a number of hypotheses by the author are presented for further discussion and verification. It is worth noting the possibility of reconstructing the previous basilica rock-hewn churches into centric structures by building the interior the walls.
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