在数字复制的新时代学习旧音乐

Robert O. Gjerdingen
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引用次数: 0

摘要

北美已知的流行音乐有四百多种,如果把新近移民最喜欢的音乐也包括在内的话,那就更多了。哪些是应该挑出来教给孩子们的?这个问题没有好的答案。古典欧洲音乐是一个很好的选择,它有着丰富的历史,在全世界都很出名,至少有一点。但是,与其教孩子们只是复制乐谱上写的东西,我们为什么不教他们创作古典音乐——即兴创作和作曲呢?重新发现旧音乐学院的课程向我们展示了如何向普通儿童教授即兴创作和作曲,从而取得非凡的成果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Learning Old Music in a New Age of Digital Reproduction
There are over four hundred genres of popular music known in North America, and many more if one includes the favourite musics of recent immigrants. Which of these should be singled out and taught to children? There is no good answer to that question. Classical European music is a good alternative, one that has a rich history and is known, at least a little, all over the world. But instead of teaching children just to reproduce what is written on a page of music, why don’t we teach them to make classical music—to improvise and compose it. The rediscovery of the lessons from the old conservatories shows us how improvisation and composition can be taught to ordinary children, leading to extraordinary results.
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