口头文学课作为大学专业教育的作用与潜力研究

Na-rae Hong
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摘要

本文以梨花女子大学的韩国口头文学课程为例,分析了目前韩国口头文学课程存在的问题,并通过案例提出了提高韩国口头文学作为大学专业的可能性和目标的方案。15周的韩国口述文学课程包括民间叙事、萨满歌(muga)、民歌、盘索里、民间戏剧等多种类型。由于作品的地域、历史和体裁的多样性,因此根据教授的教学目标选择作品和主题。从学生的情况来看,除了韩国文学专业外,还有对经典、内容、口语感兴趣的其他专业的学生,而且随着外国学生在大学的比例增加,韩国口语文学专业的外国学生也在增加。即使因为大学的变化,在课程中强调了利用方面的内容,韩国传统文学的研究也应该以我们所梦想的社会价值为目标。对口头文学的研究从对民间/少数民族文学的研究开始,在考虑群体的集体智慧和象征性价值创造的同时,我们应该考虑它的基本性质。此外,我们必须把局部性和现实性作为一种仍然存在的体裁来考虑。在课堂上,鼓励学生在课前预习视频和材料,并安排每个流派的小组演讲和讨论,以动态地构建课堂。在留学生不断增加的情况下,运用比较文学视角引导其参与,审视韩国口头文学的普遍性与特殊性,运用文化视角解读不同时代、不同文化区域的韩国口头文学。这不仅加深了我们对韩国口头文学的理解,而且从韩国口头文学的角度分析当前的社会文化现象,挑战熟悉的情况和价值观,从而进一步加深了我们对人类和社会的理解。因此,即使在大学发生变化的情况下,以日常生活和故事为中心的韩国语口语课也应该扩大其学术作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on the Role and Potential of Oral Literature Classes as a University Major Education
This paper reviews the current issues of the oral Literature course, based on the Korean Oral Literature course at Ewha Womans University, and proposes plans with cases in order to raise the possibilities and objectives of Korean oral Literature as a university major. The 15-week Korean oral Literature course covers various genres such as folk narratives, Shaman’s songs(muga), folk songs, pansori, and folk plays. Because the regions, histories and genres of works are diverse, works and topics are selected according to the professor’s teaching goal. In terms of students, in addition to Korean Literature majors, students from other departments with interests in classics, contents, and oral language, and as the proportion of foreign students increases in the university, foreign students are also increasing in the Korean Oral Literature course. Even if the aspects of utilization are highlighted in the curriculum due to the change in the university, the study of Korean traditional literature should aim for the social values ​​that we dream of. Since the research on Oral literature started as research on folk/minority literature, we should consider its basic nature while considering the collective wisdom and symbolic value creation of the community. In addition, we must consider the locality and reality as a genre that is still alive. In the class, students were encouraged to pre-learn videos and materials before the class, and each genre was arranged with group presentations and discussions to dynamically construct the class. In the situation where foreign students are increasing, comparative literary perspectives were used to lead their participation and review the universality and specificity of Korean oral literature, and cultural perspectives were used to interpret Korean oral literature in different eras and cultural regions. This not only deepens our understanding of Korean oral literature, but also moves towards deepening our understanding of humans and society by analyzing current social and cultural phenomena from the perspective of Korean oral literature, challenging familiar situations and values. Thus, Korean oral classes that focus on our daily lives and stories should expand their academic role even in the midst of university change.
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