{"title":"罗伯特·达萨诺斯基,《放映的超越:1933-1938年奥地利法西斯主义下的电影和好莱坞的希望》(印第安纳州布卢明顿:印第安纳大学出版社,2018年)。","authors":"J. Vansant","doi":"10.2307/j.ctvpj76qx.25","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":143325,"journal":{"name":"Democracy in Austria","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Robert Dassanowsky, Screening Transcendence: Film under Austro-Fascism and the Hollywood Hope, 1933-1938 (Bloomington, IN: Indiana University Press, 2018).\",\"authors\":\"J. Vansant\",\"doi\":\"10.2307/j.ctvpj76qx.25\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":143325,\"journal\":{\"name\":\"Democracy in Austria\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Democracy in Austria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvpj76qx.25\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Democracy in Austria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvpj76qx.25","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Robert Dassanowsky, Screening Transcendence: Film under Austro-Fascism and the Hollywood Hope, 1933-1938 (Bloomington, IN: Indiana University Press, 2018).