作为模型使用者的艺术家:对量化自我创作的思考

Shaleph J. O'Neill
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引用次数: 5

摘要

“模型用户”的概念在计算机科学中得到了很好的确立。但是,通常建立模型用户的做法可能不适用于个人数据,因为这些模型可能具有限制性和排他性。自我跟踪数据艺术领域提供了另一种关于量化自我概念的观点。然后,模型用户就变成了数据艺术家。一种“边缘情况”,即用户对“自我”的表现更多地取决于创造性技能,而不是所使用的工具。此外,有人认为,创造力的模型可能是有用的,以便理解量化自我的概念,作为一个持续的过程。梅斯和沃德模型得到了特别的关注,并讨论了艺术家作品的例子,包括作者自己的作品,以突出他们面临的问题的复杂性以及他们克服这些问题的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Artist as Model User: Reflections on Creating with a Quantified Self
The idea of the 'model user' is well established in Computer Science. However, the usual practice of establishing a model user might not be appropriate within the context of personal data where such models are potentially limiting and exclusory. The domain of self-tracking data art offers an alternative view on the concept of the Quantified Self. The model user then becomes that of the data artist. An 'edge case' where the user's representation of 'self' is determined more by creative skills and less by the tools used. Moreover, it is argued that models of creativity could be useful in order to understand the concept of Quantified Self as an on-going process. The Mace and Ward model is given particular attention and examples of artists work, including the author's own, are discussed in order to highlight the complexity of the issues they face and the ways in which they overcome them.
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