{"title":"改变，我们希望变得更好","authors":"Marjorie B. Cohn","doi":"10.1080/03094227.2001.9638686","DOIUrl":null,"url":null,"abstract":"Summary Basing her observations on her experience as a paper conservator in an American museum for 28 years, followed by a decade as a print curator, the author discerns a welcome trend toward a conservation practice less committed to routine chemical treatments and more observant of the historical implications of the condition of works of art on paper.","PeriodicalId":243922,"journal":{"name":"The Paper Conservator","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Change, we hope for the better\",\"authors\":\"Marjorie B. Cohn\",\"doi\":\"10.1080/03094227.2001.9638686\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary Basing her observations on her experience as a paper conservator in an American museum for 28 years, followed by a decade as a print curator, the author discerns a welcome trend toward a conservation practice less committed to routine chemical treatments and more observant of the historical implications of the condition of works of art on paper.\",\"PeriodicalId\":243922,\"journal\":{\"name\":\"The Paper Conservator\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2001-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Paper Conservator\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03094227.2001.9638686\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Paper Conservator","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03094227.2001.9638686","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Summary Basing her observations on her experience as a paper conservator in an American museum for 28 years, followed by a decade as a print curator, the author discerns a welcome trend toward a conservation practice less committed to routine chemical treatments and more observant of the historical implications of the condition of works of art on paper.
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