音乐作为19世纪末20世纪初德罗霍比奇地区文化和艺术生活专业化进程的组成部分

Liubomyr Martyniv
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引用次数: 0

摘要

该情报的目的是分析两次世界大战期间乌克兰德罗霍比奇纳社区生活中文化和教育过程的音乐和艺术组成部分,为专业音乐教育的进一步专业化奠定基础。本研究的研究方法是采用回溯法和结构系统法进行来源分析;历史-在该地区艺术和文化生活背景下,研究表演传统发展的特点和音乐创作原则的形成。科学的新颖性在于,作者第一次孤立和全面地考虑了研究时期乌克兰德罗霍比契尼亚公共协会文化和教育活动的音乐组成部分。德罗戈比奇的公共、体育、艺术、文化、教育和歌唱协会和社团的持续活动,以及众多的业余团体,导致了他们的高度创造性活动,在国家和社会事件的背景下对音乐会活动的强烈社会需求,意识到需要集中,以及该地区许多城镇和村庄的细胞水平的专业性。对上述方面的多方面研究使我们能够确定与实践音乐家专业培训需求相关的地区相关的音乐会实践形式专业化的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music as a component of the processes of professionalization of the cultural and artistic life of Drohobych region at the end of the 19th and the beginning of the 20th centuries
The purpose of this intelligence is to analyze the musical and artistic components of cultural and educational processes in the life of the Ukrainian community of Drohobychyna of the interwar period, which prepare the ground for the further professionalization of professional music education. The methodology of the study is to use retrospective and structural-system methods in the analysis of sources; historical - in the study of the peculiarities of the development of the traditions of performing and the formation of the principles of musical creativity in the context of artistic and cultural life of the region. Scientific novelty consists in the fact that for the first time the author has isolated and comprehensively considered the musical components of cultural and educational activity of Ukrainian public associations of Drohobychnia of the studied period. The consistent activity of public, sports, artistic, cultural, educational and singing associations and societies of Drogobych, with numerous amateur groups, resulted in their high creative activity, a strong social request for musical concert activity in the context of national and social events, awareness of the need for its centralization, and professionalism at the level of cells in many towns and villages of the region. The multifaceted study of the aforementioned aspects enables us to identify the sources of professionalization of the concert practice forms relevant for the region relevant to their needs in the professional training of practicing musicians.
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