导论:维多利亚时期的女性、期刊与印刷文化

A. Easley, Clare Gill, B. Rodgers
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引用次数: 0

摘要

本卷旨在扩大和加深对妇女积极参与这种扩大的期刊印刷文化的理解,无论是作为消费者还是贡献者,在“一般”出版社和专门的妇女出版社的背景下,在其商业和专业形式。超越预期的期刊标题,地理位置和学术假设,本卷中收集的35篇论文揭示了妇女参与印刷媒体的复杂性,以及她们作为作者,读者,编辑,记者,通讯员,雕刻师和插图画家的多样性贡献。这些章节展示了女性在进入印刷品,培养公众声音,塑造关于女性生活,问题和利益的公共话语时所塑造的各种轨迹。然而,虽然新闻界的发展无疑赋予了妇女发展公众身份和追求职业生涯的权力,但新闻出版的惯例在很大程度上使个人代理的概念出现了问题。因此,本书不仅展示了维多利亚时代印刷媒体的扩张为女性创造的各种机会,无论是作为生产者还是消费者,同时也探讨了这种自由的局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction: Women, Periodicals and Print Culture in the Victorian Period
This volume aims to both broaden and deepen understanding of women’s active engagement with this expanded periodical print culture, be that as consumers or contributors, in the context of the ‘general’ press and the dedicated women’s press, in both its commercial and specialised forms. Moving beyond expected periodical titles, geographical locations, and scholarly assumptions, the 35 essays collected in this volume reveal the complexity of women’s participation with print media and the diversity of their contributions as authors, readers, editors, journalists, correspondents, engravers, and illustrators. These chapters demonstrate the variety of trajectories forged by women as they entered into print, cultivated a public voice, and shaped public discourses about women’s lives, issues, and interests. Yet while the growth of the press undoubtedly empowered women to develop public identities and pursue professional careers, the conventions of journalistic publication problematised the notion of individual agency in significant ways. So while this volume showcases the diversity of opportunities created for women by the expansion of Victorian print media, both as producers and as consumers, it also explores the limits of that freedom.
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