{"title":"昆提连和表演艺术","authors":"Lucía Díaz Marroquín","doi":"10.1093/oxfordhb/9780198713784.013.15","DOIUrl":null,"url":null,"abstract":"This chapter considers the relationship between Quintilian’s teachings on rhetoric and the artistic milieu of Imperial Rome at the time in which he was writing. It sketches out the deeply philhellenic culture of the Empire, which fostered admiration for the performing arts, and discusses to what extent the public spaces in which the art of rhetoric was performed influenced public oratory and the orators’ dramatic and vocal techniques themselves.","PeriodicalId":331690,"journal":{"name":"The Oxford Handbook of Quintilian","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Quintilian and the Performing Arts\",\"authors\":\"Lucía Díaz Marroquín\",\"doi\":\"10.1093/oxfordhb/9780198713784.013.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter considers the relationship between Quintilian’s teachings on rhetoric and the artistic milieu of Imperial Rome at the time in which he was writing. It sketches out the deeply philhellenic culture of the Empire, which fostered admiration for the performing arts, and discusses to what extent the public spaces in which the art of rhetoric was performed influenced public oratory and the orators’ dramatic and vocal techniques themselves.\",\"PeriodicalId\":331690,\"journal\":{\"name\":\"The Oxford Handbook of Quintilian\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Quintilian\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780198713784.013.15\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Quintilian","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198713784.013.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter considers the relationship between Quintilian’s teachings on rhetoric and the artistic milieu of Imperial Rome at the time in which he was writing. It sketches out the deeply philhellenic culture of the Empire, which fostered admiration for the performing arts, and discusses to what extent the public spaces in which the art of rhetoric was performed influenced public oratory and the orators’ dramatic and vocal techniques themselves.
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