思维习惯作为音乐教育评价的框架

J. Hogan, E. Winner
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引用次数: 7

摘要

音乐创作需要多种多样的思维习惯——开阔的思维倾向——在音乐室之外可能很有用。思维习惯教学在普通艺术教育和其他艺术教育领域都很普遍。本章报告了对六所公立高中乐团(乐队、合唱团和管弦乐队)的24次排练中系统观察和主题编码的思维习惯的初步分析。初步结果揭示了八种思维习惯被教导的证据:参与和坚持,评估,表达,想象,倾听,注意,参与社区,设定目标和做好准备。然而,研究人员期望发现的两种思维习惯并没有被观察到:欣赏歧义和使用创造力。这两个未被观察到的习惯被艺术倡导者和理论家认为是艺术教育的核心。本章讨论了如何在音乐课堂中对思维习惯进行真实的评估,这可能需要新颖的方法,包括发展课堂环境,以培养更多层次的学生能动性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Habits of Mind as a Framework for Assessment in Music Education
Music making requires many kinds of habits of mind—broad thinking dispositions potentially useful outside of the music room. Teaching for habits of mind is prevalent in both general and other areas of arts education. This chapter reports a preliminary analysis of the habits of mind that were systematically observed and thematically coded in twenty-four rehearsals of six public high school music ensembles: band, choir, and orchestra. Preliminary results reveal evidence of eight habits of mind being taught: engage and persist, evaluate, express, imagine, listen, notice, participate in community, and set goals and be prepared. However, two habits of mind that the researchers expected to find taught were not observed: appreciate ambiguity and use creativity. These two nonobserved habits are ones that arts advocates and theorists assume are central to arts education. The chapter discusses how authentic assessment of habits of mind in the music classroom may require novel methods, including the development of classroom environments that foster additional levels of student agency.
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