池塘边的青蛙?古代世界和新千年的文化多样性

Sarah P. Morris
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引用次数: 2

摘要

本文通过三个案例研究考察了地中海东部希腊人和非希腊人之间的关系。雅典的一个几何陶制pyxis与古埃及的一个粮仓进行了比较,以考虑形状、图像和信仰如何跨越时间和地点。在第二种情况下,以弗所的阿尔忒弥斯的著名形象可以追溯到第二个千年的安纳托利亚传统。最后,神话的作用,或这些形象背后的叙事,在迈达斯的形象中得到检验,他的驴耳朵可能包含安纳托利亚王室的特征。这些联系的细节在其他地方探讨;这篇文章询问我们如何以及为什么在古典艺术和神话中追求它们,以及这些结果对我们作为古典古代教师和学者的目的有什么帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Frogs around the Pond? Cultural Diversity in the Ancient World and the New Millennium
This essay examines relations between Greeks and non-Greeks in the eastern Mediterranean in three case studies. A Geometric clay pyxis from Athens is compared to an older Egyptian granary, to consider how shapes, images, and beliefs might travel across time and place. In the second case, a famous image of Artemis from Ephesus is traced to Anatolian traditions of the second millennium. Finally, the role of myth, or the narrative behind such images, is examined in the figure of Midas, whose asses’ ears could harbor royal Anatolian attributes. Details of these connections are explored elsewhere; this essay asks how and why we pursue them in classical art and myth, and what the results accomplish for our purposes as teachers and scholars of classical antiquity.
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