{"title":"动画的舞蹈","authors":"T. Calvert","doi":"10.1145/1268517.1268519","DOIUrl":null,"url":null,"abstract":"Since the inception of the field, researchers in human figure animation have had an active interchange with those interested in representing and visualizing dance. In 1967 A. Michael Noll at Bell Labs and Merce Cunningham, the father of modern dance speculated independently about the possibility of creating dancing stick figures on a computer display.","PeriodicalId":197912,"journal":{"name":"International Genetic Improvement Workshop","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2007-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"10","resultStr":"{\"title\":\"Animating dance\",\"authors\":\"T. Calvert\",\"doi\":\"10.1145/1268517.1268519\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since the inception of the field, researchers in human figure animation have had an active interchange with those interested in representing and visualizing dance. In 1967 A. Michael Noll at Bell Labs and Merce Cunningham, the father of modern dance speculated independently about the possibility of creating dancing stick figures on a computer display.\",\"PeriodicalId\":197912,\"journal\":{\"name\":\"International Genetic Improvement Workshop\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2007-05-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"10\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Genetic Improvement Workshop\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/1268517.1268519\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Genetic Improvement Workshop","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/1268517.1268519","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Since the inception of the field, researchers in human figure animation have had an active interchange with those interested in representing and visualizing dance. In 1967 A. Michael Noll at Bell Labs and Merce Cunningham, the father of modern dance speculated independently about the possibility of creating dancing stick figures on a computer display.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
