重新想象德拉帕迪:在《幻想的宫殿》中追踪从民族主义偶像到底层声音的旅程

Dhiman Ruchi
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引用次数: 0

摘要

该研究论文旨在探索印度史诗《摩诃婆罗多》中Draupadi角色的演变,以及她在历史上的各种改编中是如何被描绘出来的。从最初史诗中的一个简单的家庭主妇,到殖民和后殖民时代的民族主义偶像,德劳帕迪的形象发生了重大变化。近年来,人们对次等研究越来越感兴趣,这些研究试图揭示边缘化社区的经历和观点。因此,德拉帕迪被重新塑造成一个底层人物,探索她作为一个底层女性和政治操纵受害者的复杂经历。本文主要研究吉特拉·班纳吉的小说《幻宫》中对德拉帕迪的底层描写,她被描绘成一个勇敢无畏的女人,蔑视社会期望,重新获得自己的权力。该研究强调了重新审视古代文献并根据当代观点重新解释其特征的重要性。本研究为小说《幻宫》中德拉帕迪从民族主义偶像到庶民的转变提供了充分的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-imagining Draupadi: Tracing the Journey from Nationalist Icon to Subaltern Voice in The Palace of Illusions
The research paper aims to explore the evolution of the character of Draupadi in the Indian epic Mahabharata and how she has been portrayed in various adaptations throughout history. From being a simple housewife in the original epic to a nationalist icon during the colonial and post-colonial eras, Draupadi has undergone significant transformations in the way she is depicted. In recent years, there has been a growing interest in subaltern studies, which seek to shed light on the experiences and perspectives of marginalized communities. As a result, Draupadi has been reimagined as a subaltern figure, exploring the complexities of her experiences as a subaltern woman and a victim of political manipulation. This paper focuses on the subaltern portrayal of Draupadi in the novel The Palace of Illusions by Chitra Banerjee, where she is depicted as a courageous and bold woman who defies societal expectations and reclaims her agency. The study highlights the significance of revisiting ancient texts and reinterpreting their characters in light of contemporary perspectives. This research paper provides ample evidence of Draupadi's transformation from a nationalist icon to a subaltern subject in the novel The Palace of Illusions.
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