节目不平等:加拿大乡村广播电台的性别代表性(2005-2019)

J. Watson
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引用次数: 5

摘要

2015年5月,乡村电台的一名顾问披露了数十年来限制女性歌手歌曲空间的做法。他鼓励节目总监避免连续播放女性的歌曲,并主张将她们的歌曲放在电台播放列表的13-15%。他的话引发了业内的争论,并引起了人们对广播和该类型音乐中日益严重的不平等现象的关注。这些讨论大多集中在美国的乡村广播上,很少有人注意到加拿大的形式越来越不平衡。虽然两国的乡村广播都采用基于性别的节目编排,但加拿大的节目主管受联邦《广播法》的约束,该法规定了加拿大内容的传播。本文使用从主要无线电监测服务之一Mediabase提取的元数据,研究了2005年至2019年加拿大国家格式无线电的性别相关趋势。通过对Mediabase每周报告的数据驱动分析,本文显示了加拿大乡村电台女性歌曲的代表性下降,并阐述了加拿大内容法规对这一过程的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Programming Inequality: Gender Representation on Canadian Country Radio (2005-2019)
In May 2015, a consultant for country radio revealed a decades’ long practice of limiting space for songs by female artists. He encouraged program directors to avoid playing songs by women back-to-back and advocated for programming their songs at 13-15% of station playlists. His words sparked debate within the industry and drew attention to growing inequalities on radio and within the genre. The majority of these discussions have centered on US country radio, with limited attention to the growing imbalance on the format in Canada. While country format radio in both countries subscribe to a practice of gender-based programming, Canadian program directors are governed by the federal Broadcasting Act, which regulates dissemination of Canadian content. Using metadata extracted from one of the main radio monitoring services – Mediabase, this paper examines gender-related trends on Canadian country format radio between 2005 and 2019. Through data-driven analysis of Mediabase’s weekly re-ports, this paper shows declining representation of songs by women on Canadian country radio and addresses the impact of Canadian content regulations on this process.
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