{"title":"漂浮的心和王冠","authors":"Kevin A. Quarmby","doi":"10.18357/sremd20201202019800","DOIUrl":null,"url":null,"abstract":"A review of the live virtual production of King Lear, presented by the San Francisco Shakespeare Festival for their \"Shakespeare at Home\" season 2020. Freely available to all via YouTube, this production featured actors performing the play in multiple and individual locations, the socially-distanced imperative facilitated by Zoom and Open Broadcaster Software technology to create a performance in \"real-time\" that captured the spirit of living theatre, while keeping all involved safe and gainfully employed.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Floating Hearts and Coronets\",\"authors\":\"Kevin A. Quarmby\",\"doi\":\"10.18357/sremd20201202019800\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A review of the live virtual production of King Lear, presented by the San Francisco Shakespeare Festival for their \\\"Shakespeare at Home\\\" season 2020. Freely available to all via YouTube, this production featured actors performing the play in multiple and individual locations, the socially-distanced imperative facilitated by Zoom and Open Broadcaster Software technology to create a performance in \\\"real-time\\\" that captured the spirit of living theatre, while keeping all involved safe and gainfully employed.\",\"PeriodicalId\":153386,\"journal\":{\"name\":\"Scene: Reviews of Early Modern Drama\",\"volume\":\"59 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scene: Reviews of Early Modern Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18357/sremd20201202019800\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scene: Reviews of Early Modern Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18357/sremd20201202019800","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A review of the live virtual production of King Lear, presented by the San Francisco Shakespeare Festival for their "Shakespeare at Home" season 2020. Freely available to all via YouTube, this production featured actors performing the play in multiple and individual locations, the socially-distanced imperative facilitated by Zoom and Open Broadcaster Software technology to create a performance in "real-time" that captured the spirit of living theatre, while keeping all involved safe and gainfully employed.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
