Costel Cioancă
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摘要

设定一种特定的生命形式和(不同的)被摄身体形象,童话英雄从森林(木质学)中诞生的原因,将主题锚定在神话领域的讨论中。古代文化给予木材/树木的解释性支持,几乎总是将其定位在中心(对世界)的有序象征主义中。从旧约神话中著名的宇宙树(“生命之树”)到斯堪的纳维亚神话中著名的Yggdrasil,更不用说菩提伽耶之树了,世界中心树(宇宙树)的象征意义大致相同。在旨在研究树/木随时间流逝所赋予的象征主义的想象记忆文化关系中,罗马尼亚文化空间也不例外。我们有考古学的参考资料,传达了达契亚陶器上的圣树(杉树)的象征;我们致力于研究宇宙之树在传统服装上象征意义的演变,或“照顾”殡葬树,在一些撒克逊教堂的入口中出现生命之树,以及罗马尼亚民间建筑中生命之树的主题等。通过查阅罗马尼亚童话选集,这项研究的文件向我揭示了一些有趣的方面,因为这个原因,在奇幻史诗的层面上。没有一个是机械地工作,所有的都反映了古老的象征性思维系统的过程:没有不变的模式,没有难以抗拒的愿景,但在史诗的深层中总是有一个象征性的核心。考虑到本研究中主题的结构特殊性,连贯性和特殊性,必须说,在我们发现的罗马尼亚梦幻童话的水平上,除了分隔,同时围绕木质学“旋转”,具有不同的个体细微差别:穿木制衣服或住在树上以避免乱伦,只有通过魔法祈祷才能打开树;英雄和/或动物有“树的名字”,但没有处理正确的木结构;童话人物的死亡是一些人类存在悲剧的结果,以象征性的形式(树木的变形);各不相同。关键词:想象,现象学,解释学,罗马尼亚童话,木质学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pentru o poetica a imaginarului: xilogeneza în basmul fantastic românesc
Configuring a certain form of life and a (different) image of the body-taken, the reason for the birth of a fairytale hero from a wood (xylogenesis), anchors the subject under discussion in an area of the mythical. The interpretive auspices given to wood/tree by archaic cultures, have positioned it almost invariably in the orderly symbolism of the centre (to the World). From the well -known cosmic tree of Old Testament mythology (the „tree of life”) to the famous Yggdrasil of Scandinavian mythology, not to mention the tree of enlightenment Bodhi Gaya, the symbolism of the centre-tree of the World (cosmic tree) is broadly the same. In the imaginary-memory cultural relationship aiming at researching the symbol- ism given to the tree/wood over time, the Romanian cultural space was no exception. We have archaeological references that convey the symbol of the sacred tree (fir tree) present on Dacian pottery; we have studies dedicated to the evolution of the symbolism of the cosmic tree on the traditional costume or to the „taking care” of a funerary tree, to the presence of the tree of life in the portals of some Saxon churches, to the motif of the tree of life in Romanian folk architecture etc. The documentation for this study revealed me, by consulting the anthologies of Romanian fairy tales, some interesting aspects taken for this reason at the level of the fantastic epic. None working mechanically, all reflecting the process of the archaic system of symbolic thinking: without immutable patterns, without refractory visions, but always with a symbolic nucleus in the deep layer of the epic. Considering the structural particularities, the coherence and the specificity of the motif approached in the present study, it must be said that at the level of the Romanian fantastic fairy tale we detected, besides the delimits and at the same time „revolves” around xylogenesis, with ontogenetically- different nuances: wearing wooden clothes or living in a tree to avoid incest, with the opening of the tree only through a magical invocation; heroes and/or animals with „name of a tree” but without having to deal with a proper xylogenesis; the passing away of fairytale characters as a result of some existential-human tragedies, in symbolic forms (metamorphosis in trees); varies. Keywords: imaginary, phenomenology, hermeneutics, Romanian fairytale, xylogenesis.
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