约翰·菲斯特西对2016年DANGAL电影性别不平等的分析

Nova Yana Azli Harahap, Nursapiah Harahap, S. Abidin
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引用次数: 0

摘要

本研究旨在找出性别不平等的表征是如何被表征的,并理解《摔跤吧!爸爸》电影中所包含的现实水平、表征水平和性别意识形态的标志意义。本研究所采用的理论是建构或不公正性别理论。本研究的对象是电影摔跤吧爸爸2016,时长2小时41分钟。本研究使用的方法是使用菲斯克的符号学分析技术的定性方法描述范式。根据这部电影中研究人员的研究结果,他们看到了对女性的低等意义和对男性的高等意义,这在两个女孩的斗争中得到了说明,尽管她们的未来是由父亲决定的。影片中有13个表现性别不平等的场景。《摔跤吧!爸爸》电影中存在性别不公,即通过三个层次的符号意义,即现实层次、再现层次和意识形态层次来传递。所以这部电影最终的意义是改变社会的观念,捍卫社会的观念和意见,反对男权意识形态的价值观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALISIS SEMIOTIKA JOHN FISKE DALAM KETIDAKSETARAAN GENDER PADA FILM DANGAL 2016
This study aims to find out how the representation gender inequality is represented and understand the meaning of the sign of the level of reality, representation, and gender ideology contained in the Dangal film. The theory which was used to explore this research is the theory of construction or injustice gender. The object of this research is the film Dangal 2016 which has a duration of 2 hours 41 minutes. The method used in this research is a qualitative method descriptive paradigm using John Fiske's semiotic analysis technique. Based on the results of the research studied by researchers in this film, they see meaning inferior which is described for women and superior meaning for men, this is illustrated in the struggle of two girls to keep living their lives even though their future is determined by the father. There are 13 scenes that show gender injustice in it. Delivery there is gender injustice in dangal films, namely by means of 3 levels the meaning of the sign, namely the Level of Reality, the Level of Representation and the Level of Ideology. So that in the end the meaning in this film is to change the opinion of society and defend the opinions and opinions of society against the values of patriarchal ideology.
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