{"title":"说话的角色:古代合唱表演评论家","authors":"F. Schironi","doi":"10.1163/9789004412590_006","DOIUrl":null,"url":null,"abstract":"One influential modern approach to genre in Greek lyric poetry is to focus on performance.1 On the other hand, while distinguishing lyric poetry either by meter or by eide (i.e., content, purpose, and occasion),2 ancient commentators seem to have hadmuch less interest in purely performative questions.3 For them, genremostly was an issue of “speaking persona,” asmost clearly outlined by Proclus in his Prolegomena to Hesiod:","PeriodicalId":372785,"journal":{"name":"Genre in Archaic and Classical Greek Poetry: Theories and Models","volume":"86 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Speaking Persona: Ancient Commentators on Choral Performance\",\"authors\":\"F. Schironi\",\"doi\":\"10.1163/9789004412590_006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One influential modern approach to genre in Greek lyric poetry is to focus on performance.1 On the other hand, while distinguishing lyric poetry either by meter or by eide (i.e., content, purpose, and occasion),2 ancient commentators seem to have hadmuch less interest in purely performative questions.3 For them, genremostly was an issue of “speaking persona,” asmost clearly outlined by Proclus in his Prolegomena to Hesiod:\",\"PeriodicalId\":372785,\"journal\":{\"name\":\"Genre in Archaic and Classical Greek Poetry: Theories and Models\",\"volume\":\"86 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Genre in Archaic and Classical Greek Poetry: Theories and Models\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/9789004412590_006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Genre in Archaic and Classical Greek Poetry: Theories and Models","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004412590_006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Speaking Persona: Ancient Commentators on Choral Performance
One influential modern approach to genre in Greek lyric poetry is to focus on performance.1 On the other hand, while distinguishing lyric poetry either by meter or by eide (i.e., content, purpose, and occasion),2 ancient commentators seem to have hadmuch less interest in purely performative questions.3 For them, genremostly was an issue of “speaking persona,” asmost clearly outlined by Proclus in his Prolegomena to Hesiod:
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
