艺术与品牌污染

M. Massi, C. Piancatelli, S. Pancheri
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引用次数: 1

摘要

虽然低级文化和高雅文化经常被视为两个不同的世界,但它们正日益融合,以互利的方式合作。品牌——包括名称、术语、标志、符号或它们的组合,用来识别一个卖家或一群卖家的商品和服务,并将其与竞争对手区分开来——是高雅文化和低俗文化共存和合作的新领域,为两者之间的交叉受精和杂交创造了新的可能性。通过对来自不同行业的成功案例的分析,本章旨在强调品牌是如何模糊低级文化和高级文化之间的界限的。一方面,品牌可以利用艺术世界的遗产来获得消费者和社会眼中的真实性和合法性。另一方面,艺术家和艺术组织,如博物馆和其他艺术机构,可以沉迷于流行文化,以吸引更年轻的目标市场,提高他们的品牌知名度和形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art and Brand Contamination
Albeit often perceived as two worlds apart, low culture and high culture are increasingly converging to collaborate in mutually advantageous ways. Brands—including the name, term, sign, symbol, or combination of them that identify the goods and services of a seller or group of sellers, and differentiate them from those of the competitors—are the new territory where high culture and low culture co-exist and collaborate, creating new possibilities of cross-fertilization and hybridization between the two. Through the analysis of successful examples coming from different industries, this chapter aims to highlight how brands have blurred the distinction between low culture and high culture. On the one hand, brands can use the heritage of the arts world to gain authenticity and legitimate themselves in the eyes of consumers and the society. On the other hand, artists and arts organizations, such as museums and other art institutions, can indulge in popular culture in order to become appealing to younger target markets and enhance their brand awareness and image.
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