{"title":"社会现实主义、情节剧和沉默的文本:拉克珊·巴尼·埃特马德的《五月小姐》和《城市的表皮之下》","authors":"L. Mulvey","doi":"10.5040/9781501332470.0009","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":140195,"journal":{"name":"On Women’s Films","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Social Realism, Melodrama, and the Mute Text: Rakhshan Bani-Etemad’s The May Lady and Under the Skin of the City\",\"authors\":\"L. Mulvey\",\"doi\":\"10.5040/9781501332470.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":140195,\"journal\":{\"name\":\"On Women’s Films\",\"volume\":\"27 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"On Women’s Films\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781501332470.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"On Women’s Films","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781501332470.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}