遗忘和记忆女同性恋低俗:羞耻,恢复和酷儿的历史

K. Mitchell
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引用次数: 0

摘要

第一章以迈克尔·华纳的问题开始:“我们该如何处理我们的耻辱?”,然后继续思考和批判,在最近的酷儿理论中对羞耻的重新审视——这种重新审视通常是为了挖掘这种影响的积极政治潜力。这一章评估了“酷儿耻辱”的用途和局限性,首先,通过对当代酷儿理论的考虑,其次,最近的再版——以及隐含的“恢复”——本世纪中叶女同性恋低俗小说中以前可耻的亚类型。通过阅读安·班农的《阴影中的女人》(1959/2002)和德拉·马丁的《暮光女孩》(1961/2006),本章特别关注性别和种族的可见性和不可理解性,以及表演和“通过”的问题。它展示了,在这两部小说中,非白人是如何成为迷人和羞耻的场所,实际上既是酷儿羞耻的强化者,也是这种羞耻的镜子/类比,这可能被视为羞耻挪用的一个令人不安的案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Forgetting and Remembering Lesbian Pulp: Shame, Recuperation and Queer History
Chapter 1 begins with Michael Warner’s question, ‘What will we do with our shame?’, and proceeds to consider, and to critique, the revisiting of shame in much recent queer theory – a revisiting that generally seeks to mine that affect for its positive political potential. The chapter assesses the uses and limitations of ‘queer shame’, via a consideration, first, of contemporary queer theory, and second, of the recent republication – and implied ‘recuperation’ – of the formerly shameful sub-genre of mid-century lesbian pulp fiction. Through readings of Ann Bannon’s Women in the Shadows (1959/2002) and Della Martin’s Twilight Girl (1961/2006), the chapter focuses particularly on questions concerning the (in)visibility and (un)intelligibility of gender and race, and matters of performance and ‘passing’. It shows how, in both novels, non-whiteness becomes a site of both fascination and shame, functioning indeed as both an intensifier of queer shame and a mirror of/analogy for that shame, in what might be viewed as a troubling case of shame appropriation.
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