{"title":"遗忘和记忆女同性恋低俗:羞耻,恢复和酷儿的历史","authors":"K. Mitchell","doi":"10.3366/edinburgh/9781474461849.003.0002","DOIUrl":null,"url":null,"abstract":"Chapter 1 begins with Michael Warner’s question, ‘What will we do with our shame?’, and proceeds to consider, and to critique, the revisiting of shame in much recent queer theory – a revisiting that generally seeks to mine that affect for its positive political potential.\nThe chapter assesses the uses and limitations of ‘queer shame’, via a consideration, first, of contemporary queer theory, and second, of the recent republication – and implied ‘recuperation’ – of the formerly shameful sub-genre of mid-century lesbian pulp fiction. Through readings of Ann Bannon’s Women in the Shadows (1959/2002) and Della Martin’s Twilight Girl (1961/2006), the chapter focuses particularly on questions concerning the (in)visibility and (un)intelligibility of gender and race, and matters of performance and ‘passing’. It shows how, in both novels, non-whiteness becomes a site of both fascination and shame, functioning indeed as both an intensifier of queer shame and a mirror of/analogy for that shame, in what might be viewed as a troubling case of shame appropriation.","PeriodicalId":368712,"journal":{"name":"Writing Shame","volume":"71 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Forgetting and Remembering Lesbian Pulp: Shame, Recuperation and Queer History\",\"authors\":\"K. Mitchell\",\"doi\":\"10.3366/edinburgh/9781474461849.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 1 begins with Michael Warner’s question, ‘What will we do with our shame?’, and proceeds to consider, and to critique, the revisiting of shame in much recent queer theory – a revisiting that generally seeks to mine that affect for its positive political potential.\\nThe chapter assesses the uses and limitations of ‘queer shame’, via a consideration, first, of contemporary queer theory, and second, of the recent republication – and implied ‘recuperation’ – of the formerly shameful sub-genre of mid-century lesbian pulp fiction. Through readings of Ann Bannon’s Women in the Shadows (1959/2002) and Della Martin’s Twilight Girl (1961/2006), the chapter focuses particularly on questions concerning the (in)visibility and (un)intelligibility of gender and race, and matters of performance and ‘passing’. It shows how, in both novels, non-whiteness becomes a site of both fascination and shame, functioning indeed as both an intensifier of queer shame and a mirror of/analogy for that shame, in what might be viewed as a troubling case of shame appropriation.\",\"PeriodicalId\":368712,\"journal\":{\"name\":\"Writing Shame\",\"volume\":\"71 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Writing Shame\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474461849.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Writing Shame","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474461849.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Forgetting and Remembering Lesbian Pulp: Shame, Recuperation and Queer History
Chapter 1 begins with Michael Warner’s question, ‘What will we do with our shame?’, and proceeds to consider, and to critique, the revisiting of shame in much recent queer theory – a revisiting that generally seeks to mine that affect for its positive political potential.
The chapter assesses the uses and limitations of ‘queer shame’, via a consideration, first, of contemporary queer theory, and second, of the recent republication – and implied ‘recuperation’ – of the formerly shameful sub-genre of mid-century lesbian pulp fiction. Through readings of Ann Bannon’s Women in the Shadows (1959/2002) and Della Martin’s Twilight Girl (1961/2006), the chapter focuses particularly on questions concerning the (in)visibility and (un)intelligibility of gender and race, and matters of performance and ‘passing’. It shows how, in both novels, non-whiteness becomes a site of both fascination and shame, functioning indeed as both an intensifier of queer shame and a mirror of/analogy for that shame, in what might be viewed as a troubling case of shame appropriation.