聋哑文盲的神秘楔形文字更接近:abdolah散文中的残疾形象

Ewa Dynarowicz
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引用次数: 0

摘要

在评论他的文学作品时,Kader Abdolah经常将其与他的传记联系起来,他的小说和短篇故事成为他作为作家自我表现的重要组成部分。这种自我表现的一个重要动机是他失聪父亲的故事,这个故事在采访和他的文学作品中反复出现,最重要的例子是小说《Spijkerschrift》[Cuneiform, 2000]。这篇文章的目的是调查如何聋哑的父亲被描绘在这里,这一形象有什么含义的方式阿卜杜拉呈现自己给他的读者。分析是锚定在残疾研究提供的理论框架,侧重于残疾的文学表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Het geheimzinnige spijkerschrift van de doofstomme analfabete dichter: het beeld van mindervaliditeit in Kader Abdolahs proza
When commenting on his literary work, Kader Abdolah regularly links it to his biography, his novels and short stories becoming an important part of his self-representation as a writer. One of the prominent motives in this self-representation is the story of his deaf father, which appears repeatedly in interviews as well as in his literary work, the most significant example being the novel Spijkerschrift [Cuneiform, 2000]. The purpose of this article is to investigate how the deaf father is being portrayed here and what implications this image has for the way Abdolah presents himself to his readership. The analysis is anchored in the theoretical framework provided by disability studies, focusing on literary representations of disability.  
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