数字时代的仇恨:自我毁灭的恐惧和想象的封闭

Hyun-jae Lee
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引用次数: 0

摘要

本文通过分析西格蒙德·弗洛伊德的“神秘”概念、朱莉娅·克里斯蒂娃的“卑下”概念和雅克·拉康的“镜像阶段”理论,表明仇恨是在对破碎的身体自我的想象封闭中表现出来的。为此,本文首先分析了弗洛伊德的精神分析理论和克里斯蒂娃的语言理论,认为仇恨与面对提醒我们死亡的物体的神秘恐惧密切相关。并通过Edward Soja和Celeste Oralquiaga的城市理论,认为构成去地域化和杂化的后大都市数字化城市化,容易引发一种被自我毁灭的恐惧所包围的精神崩溃。最后,我坚持拉康的观点,一些数字公民对这种恐惧的反应是,通过数字镜子中整合的自我形象,想象地封闭他们破碎的自我。在这种想象的封闭中,支离破碎的自我被排除在外,客体被憎恨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hatred in the Digital Age : Fear of Self-destruction and Imaginary Sealing
This article shows that hatred is performed in the imaginary sealing of the fragmented bodily self, by analyzing Sigmund Freud's concept “das Unheimliche (the uncanny)”, Julia Kristeva's concept “abject” and Jacques Lacan's theory of “mirror stage”. To this end, this article first analyses the Freud's psychoanalysis and the Kristeva's theory of language and argue that hatred is closely linked to the uncanny fear of confronting abjects that remind us our death. And through the urban theory of Edward Soja and Celeste Oralquiaga, it is argued that the digital urbanization in postmetropolis which constitutes in de-territorialization and hybridization tends to trigger a mental breakdown surrounded by the fear of self-destruction. Finally, I insist with Lacan that some digital citizens respond to this fear by imaginatively sealing their fragmented egos through integrated ego images in the digital mirror. In this imaginary sealing are the fragmented egos excluded and the abjects hated.
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