当代青年音乐家的表演焦虑

C. Ryan
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引用次数: 2

摘要

大多数关于音乐表演焦虑的研究都集中在古典音乐家和那些接受古典音乐训练的人身上。很少有研究考虑到当代音乐家的表演经历。本研究的目的是通过将镜头对准当代青年音乐家来扩大文献基础。一所大型当代音乐学院的学生(n=202)完成了一份关于他们的表演经历、焦虑、训练和应对策略的问卷调查,以及肯尼音乐表演焦虑量表修订版(2009年)。结果表明,表演焦虑是当代年轻音乐家的共同经历。女性比男性表现出更大的焦虑,单独表演比集体表演更容易引起焦虑。应对策略往往是整体性的。与先前研究的一组古典音乐家的比较表明,在因素结构上存在相似之处,但有些关键的差异可能会区分不同的表演类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performance anxiety in young contemporary musicians
Most research on music performance anxiety has focused on classical musicians and those being trained in the classical genre. Few studies have considered the performance experiences of contemporary musicians. The purpose of the present study was to extend the literature base by focusing the lens squarely on young contemporary musicians. Students (n=202) at a large, contemporary music college completed a questionnaire pertaining to their performance experiences, anxiety, training and coping strategies, as well as the Kenny Music Performance Anxiety Inventory-revised (2009). Results indicate that performance anxiety is a common experience among young, contemporary musicians. Females reported greater anxiety than males and solo performances elicited more anxiety than group. Coping strategies tended to be holistic in nature. Comparison with a previously examined group of classical musicians indicates similarities in factor structure, with some key differences that may distinguish between performance genres.
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